CCS Bard Archives
Center for Curatorial Studies
Bard College
Annandale-on-Hudson, NY 12504
Phone: 845.758.7567
Fax: 845.758.2442
Email: [email protected]
Guide to the Maria Lind Manifesta Papers
MSS.005
Published in 2015
©2015 CCS Bard Archives
Table of Contents
- Summary Description
- Arrangement note
- Biographical/Historical note
- Scope and Contents note
- Information for Users
- Controlled Access Headings
- Contents List
- Series I: Manifesta 2
- A: Correspondence, General
- B: Correspondence, Artists
- C: Curators' Newsletter
- D: Research, Cities
- E: Research, Artists
- F: Catalogue
- G: Planning, Press, and Administrative Files
- H: Manifesta 1
- Series II: Other Curatorial Projects, Writings, and Research
- A: Other Curatorial Projects
- B: Writings, Publications, and Editorial Work
- C: Research, General [not associated with any identifiable project]
- D: Curatorial Project Proposals from Others
- Series III: Education and Biographical Material
- A: Graduate School / University of Stockholm and Whitney ISP
- B: Teaching
- C: Biographical Material
- Accretion 2010: Series IIB
- Oversize Series I
- Oversize Series II
Summary Description
- Repository
- Center for Curatorial Studies Library & Archives
- Creator
- Lind, Maria, 1966-
- Title
- Maria Lind Manifesta Papers
- ID
- MSS.005
- Date [bulk]
- Bulk, 1997-1998
- Date [inclusive]
- 1994-2010
- Extent
- 15.5 Linear feet in 13 boxes
- Language
- English
- Author
- Finding aid prepared by Ann Butler; Collection processed by Lydia Aikenhead in Summer 2011.
Preferred Citation
Published citations should take the following form:
Identification of item, date (if known); Maria Lind Manifesta Papers; MSS.005; [box number]; [folder number], Center for Curatorial Studies Library and Archives, Bard College.
Biographical/Historical note
Maria Lind is a curator and critic born in 1966 and based Stockholm. Lind studied art history, Russian, the history of ideas, semiotics, and feminist theory at the University of Stockholm, and attended the Whitney Independent Study Program from 1995-1996. From 1994-1998 she was a member of the editorial board of the Nordic art review Index Magazine. In 1997 she became a curator at the Moderna Museet in Stockholm, during which time she was selected to co-curate the Manifesta 2 exhibition alongside Robert Fleck and Barbara Vanderlinden. This iteration of the Manifesta exhibition, the nomadic European Biennial which takes place in a different city each time, was held at the Casino Luxembourg June 28-October 11, 1998. It was comprised of primarily site-specific works by 47 artists from 30 different countries. Manifesta’s approach has been consistent in its consideration of contemporary art in response to political and social developments throughout Europe, coupled with the effort to equally represent artists from across the continent.
In 1998 and 2001 she was curator of Sweden’s participation in the São Paulo Biennial. In addition, she curated a number of independent projects such as “Sawn-Off” (1996), “Clean & Sane” (1997), and “Personal & Ritual” (1998). In addition to her curatorial work, she has written extensively in publications beyond her exhibition catalogs, such as Artforum, Bidoun, frieze, Art Monthly, Trans, Parkett, Flash Art, and the Swedish newspaper Svenska Dagbladet. In 2002 she became director of the Kunstverein München, and in 2005 she became director of IASPIS (International Artists Studio Program in Stockholm). From 2008 to 2010 she was the director of the graduate program at the Center for Curatorial Studies, Bard College. In 2009 she was the recipient of the Walter Hopps Award for Curatorial Achievement. In 2011 Lind was appointed director of the Tensta Konsthall where she regularly curates exhibitions. She will serve as the artistic director for the 2016 Gwangju Biennial.
Scope and Contents note
Series I: This series contains material related to Maria Lind’s work as a curator of the Manifesta 2 exhibition.
Subseries IA: Correspondence—General: This subseries contains letters and faxes related to the exhibition Manifesta 2, arranged chronologically. Within that order, the material is separated by folder to maintain Lind’s previous arrangement of it. Lind had separated these correspondences in five different containers, within which material was arranged chronologically.
The first container held material relating to Lind’s travels through Europe to research for the Manifesta 2 exhibition; these are the earliest correspondences, and are placed in the folders 1-4.
Lind’s second container was labeled “Manifesta Correspondence” and contained letters or faxes sent directly to her; these files are now called “TO Maria Lind”, and primarily hold letters and faxes from artists and their representatives that Lind considered including in the exhibition.
Lind’s third container was labeled “Luxembourg IN”, to denote correspondences that were received at the Manifesta 2 offices at its headquarters in Luxembourg and forwarded to Lind; this material includes correspondence to and between the Manifesta 2 curators and executives, which include coordinator Enrico Lungi, administrator Jo Cox, project manager Ulrike Groos, international relations manager Annette Mullink, and head of the press office Laure Faber. These are held in files marked “General Correspondence”.
Lind’s fourth container was labeled “Luxembourg OUT”, to denote correspondence from Lind sent through the Luxembourg office; because communication was primarily sent by fax machine, Lind was able to save the original drafts of her correspondences. These correspondences are held in files marked “FROM Maria Lind”.
Lind’s fifth container was labeled “Curator Correspondence” and contained communications sent directly between Lind and the other curators, Robert Fleck and Barbara Vanderlinden, and are now held in files marked either “To Lind from Robert Fleck and Barbara Vanderlinden” or “FROM Lind to Fleck and Vanderlinden”. Correspondence in this subseries is primarily written in English, as well as Swedish, French, and German.
Subseries IB: Correspondence—Artists: This subseries contains materials related to the 30 of the 47 artists selected to participate in the Manifesta 2 exhibition. The material is separated by artist and arranged alphabetically; files primarily contain letters, faxes, and emails from the artists discussing preliminary plans for their artworks. In addition, there is some documentation about the artists, such as press clippings, contact information, and biographies.
Subseries IC: Curators’ Newsletter: This subseries contains documents called “Curators’ Newsletter”, which were sent periodically to all who were involved in the planning of the exhibition. The newsletters include updates from the curators about their international visits and their visions of the exhibition, as well as administrative reports about the general progress of the exhibition. The material includes the published newsletters as well as Lind’s drafts, and each group is arranged chronologically.
Subseries ID: Research—Cities: This subseries contains material collected by Lind while visiting cities throughout Europe in preparation for the Manifesta 2 exhibition. Lind and the other curators began these travels in the summer of 1997, and visited galleries, museums and artists’ studios. This subseries contains information about the cities, such as maps, brochures, postcards, and tourist information; information from galleries, art events, and museums; artists’ contact information and résumés; and some correspondence regarding the planning of these visits. Each folder contains material about one city, and folders are arranged alphabetically.
Subseries IE: Research—Artists: This subseries contains material connected to over 200 artists whom were considered for inclusion in the Manifesta 2 exhibition. Each file contains information related to one artist, and files are arranged alphabetically. The material includes artists’ CV’s and examples of their work, press clippings, gallery information, publications, posters, videos, CD’s and audiocassettes, and some correspondence.
Subseries IF: Catalogue: This subseries contains material related to the development of the Manifesta 2 catalogue. In addition to material related to the development and planning of the catalogue, there are drafts of the texts included in the catalogue. These texts reflect on the artistic climate of each country from which works were included in the exhibition, and filed by the name of that country and arranged alphabetically.
Subseries IG: Planning, Press, and Administrative Files: This subseries contains material related to the planning and administration of Manifesta 2, as well as some press clippings in response to the exhibition. It includes travel information, itineraries, and budgets for the curators’ international visits; exhibition budgets, receipts, and contracts; floor plans of the Casino Luxembourg, the venue for the exhibition; information on interns; material about the selected artists’ visit to Luxembourg; mailing lists and press releases; lists of contacts established during the international visits, as well as travel reports from the curators; and press clippings and reviews of the exhibition.
Subseries IH: Manifesta 1: This subseries contains Lind’s material from the first Manifesta exhibition, which was held in Rotterdam in 1996. Included are the exhibition press kit, as well as artworks, posters, and brochures related to various events and installations that were held as part of the exhibition; information about and publications by the Museum Boijmans-van Beuningen in Rotterdam, one of the exhibition’s venues; and some other publications from other institutions in Rotterdam.
Series II: Other Curatorial Projects and Writings: This series contains material related to some of Lind’s other curatorial projects from 1994 to 1998, the period previous to and during her involvement in the Manifesta 2 exhibition; in addition, it includes some of her published writings, material related to her editorial work at Index magazine, and a number of files of research not associated with any identifiable project or writing.
Subseries IIA: Other Curatorial Projects 1994-1998: This subseries contains material connected to some of Lind’s other curatorial projects, which include exhibitions and symposiums, and to her position as curator at the Moderna Museet in Stockholm. Material is separated by the name of the project or venue, and arranged more or less chronologically; it includes correspondence, press clippings, slides, administrative material, and exhibition material.
Subseries IIB: Writings, Publications, and Editorial Work: This subseries contains material related to Lind’s editorial work at Index magazine and her own published writings from between 1992 and 1997. Included are articles written by Lind for the Swedish newspaper Svenska Dagbladet between 1994 and 1997; these are separated by year and arranged chronologically; all are written in Swedish. In addition, there are a number of Lind’s writings printed in other publications between 1992 and 1997, which are also in Swedish.
Subseries IIC: Research—General: This subseries contains Lind’s research material not connected to any identifiable project. It includes material from various exhibitions Lind attended, newspaper clippings, publications, photocopies from books, a number of writings by curator Friedemann Malsch, and Lind’s handwritten notes. Research topics include hysteria, and the artists Sigrid Hjerten, Birgit Stahl-Nyberg, and M. Louise Stanley. This material is primarily in Swedish and English.
Subseries IID: Curatorial Proposals from Others: This subseries contains material related to two curatorial project proposals from other curators. The first is a proposal for the 10th Biennial of Sydney: Jurassic Technologies Revenant in 1996; the second is for an exhibition called "Scream and Scream Again: Film in Art" in 1996.
Series III: Education and Biographical Material: This series contains Lind’s biographical information and material from her enrollment at the University of Stockholm from 1990-1996 and her participation as a student at the Whitney Independent Study Program in 1995. In addition there is material related to classes taught by Lind at the University of Stockholm and elsewhere.
Subseries IIIA: Graduate School / University of Stockholm and Whitney ISP: This subseries, about graduate school, University of Stockholm and Whitney I.S.P., includes drafts of a thesis and another research paper, documents regarding her appointment as a research fellow, and information about and records from the Whitney Independent Study Program. The majority of this material is in Swedish.
Subseries IIIB: Teaching: This subseries contains material related to classes taught by Lind. These include Art Theory classes at the University of Stockholm, Lecture Courses at Konstfack University of Arts, Crafts and Design in Stockholm, and a class about female artists in Åkersberga from 1991-1997. This material is primarily in Swedish.
Subseries IIIC: Biographical Material: This subseries contains biographical material about Lind. It includes articles about Lind, CV’s, portraits of Lind, address lists, receipts, and a number of drawings.
Accretion 2010:This material contains publications from Iaspis from 2005-2008, the period during which Lind served as director. In addition, it contains texts written by Lind between 2009 and 2010, while she was Director of the Graduate Program at the Center for Curatorial Studies at Bard College.
Arrangement note
The Maria Lind Manifesta Papers is comprised of three series:
Series I: Manifesta 2, with correspondence preceding research files and material on Manifesta 1.
Series II: Other Curatorial Projects and Writings, arranged chronologically with curatorial projects preceding writing and editorial work, followed by general research and curatorial proposals by others.
Series III: Education and Biographical Material, with material from her graduate studies followed by teaching files and personal and biographical material.
Information for Users
Publication Information
Center for Curatorial Studies Library & Archives 2015
Bard CollegeAnnandale-on-Hudson, NY, 12504-5000
845-758-7567
[email protected]
Access Restrictions
The collection is open to researchers without restrictions. Appointments are necessary to consult manuscript and archival materials. Access copies for media materials may not be available yet. Please contact the CCS Archivist for further details.
Use Restrictions
Collection use is subject to all copyright laws. Permission to publish materials must be obtained in writing from the Director of the Library & Archives at the Center for Curatorial Studies at Bard College. Please contact [email protected] for more information.
Provenance
The Maria Lind Manifesta Papers were donated to the Center for Curatorial Studies by Maria Lind in 2010.
Controlled Access Headings
Corporate Name(s)
- Casino Luxembourg.
- Index : contemporary Scandinavian images.
- Manifesta (1st : 1996 : Rotterdam, Netherlands).
- Manifesta (2nd : 1998 : Luxembourg, Luxembourg).
- Moderna Museet Malmö (Sweden).
- Stockholms universitet.
- Svenska dagbladet .
- Whitney Museum of American Art. Independent Study Program.
Genre(s)
- Audiocassettes
- Black-and-White prints (photographs)
- Brochures
- CD-ROMs
- Clippings (information artifacts)
- Color Prints (photographs)
- Color Slides
- Letters (correspondence)
- Magazines (periodicals).
- Newsletters
- Notes
- Posters
- Slides (photographs)
- VHS (TM)
Personal Name(s)
- Borland, Christine, 1956-
- Fleck, Robert, 1957-
- Leiderstam, Matts, 1956-
- Schulz, Tilo, 1972-
- Sidén, Ann-Sofi, 1962-
- Vanderlinden, Barbara
Subject(s)
- Art--21st century--Exhibitions
- Art--Research
- Curatorship
Contents List
Series I: Manifesta 2 |
||||
A: Correspondence, General |
||||
Box | Folder | |||
TO Maria Lind March-April 1997 |
1 | 1 | ||
FROM Barbara Vanderlinden March-May 1997 |
1 | 2 | ||
FROM Robert Fleck March-May 1997 |
1 | 3 | ||
TO Maria Lind March-June 1997 |
1 | 4 | ||
General Correspondence May-July 1997 |
1 | 5 | ||
TO Maria Lind July-August 1997 |
1 | 6 | ||
General Correspondence August 1997 |
1 | 7 | ||
FROM Maria Lind to Robert Fleck and Barbara Vanderlinden August 1997-April 1998 |
1 | 8 | ||
General Correspondence September 1997 |
1 | 9 | ||
TO Maria Lind September 1997 |
1 | 10 | ||
FROM Maria Lind September-October 1997 |
1 | 11 | ||
TO Maria Lind October 1997 |
1 | 12 | ||
General Correspondence October 1997 |
1 | 13 | ||
TO Maria Lind from Robert Fleck and Barbara Vanderlinden October 1997-October 1998 |
1 | 14 | ||
TO Maria Lind November 1997 |
1 | 15 | ||
General Correspondence November 1997 |
1 | 16 | ||
FROM Maria Lind November-December 1997 |
1 | 17 | ||
TO Maria Lind December 1997 |
1 | 18 | ||
General Correspondence December 1997-January 1998 |
1 | 19 | ||
TO Maria Lind January 1998 |
1 | 20 | ||
General Correspondence January-March 1998 |
1 | 21 | ||
FROM Maria Lind January-April 1998 |
1 | 22 | ||
TO Maria Lind February-March 1998 |
1 | 23 | ||
General Correspondence April 1998 |
1 | 24 | ||
TO Maria Lind April 1998 |
1 | 25 | ||
General Correspondence May 1998 |
1 | 26 | ||
FROM Maria Lind May-August 1998 |
1 | 27 | ||
General Correspondence June-August 1998 |
1 | 28 | ||
TO Maria Lind July-September 1998 |
1 | 29 | ||
General Correspondence September 1998-December 1999 |
1 | 30 | ||
General Correspondence undated |
1 | 31 | ||
B: Correspondence, Artists |
||||
Box | Folder | |||
Eija-Liisa Ahtila February-May 1998 |
1 | 32 | ||
Kutlug Ataman February-March 1998 |
1 | 33 | ||
Emese Benczur December 1997-May 1998 |
1 | 34 | ||
Christine Borland January-May 1998 |
1 | 35 | ||
Eriks Bozis February 1998 |
1 | 36 | ||
Maurizio Cattelan February 1998 |
1 | 37 | ||
De Rijke/De Rooij April-May 1998 |
1 | 38 | ||
Honore D'O April 1998 |
1 | 39 | ||
Alicia Framis March-April 1998 |
1 | 40 | ||
Dora Garcia April-May 1998 |
1 | 41 | ||
Galentin Gatev February-March 1998 |
1 | 42 | ||
Dominique Gonzalez-Foerster April, August 1998 |
1 | 43 | ||
Felix Gonzalez-Torres April 1998 |
1 | 44 | ||
Carsten Holler February-May 1998 |
1 | 45 | ||
Pierre Huyghe April 1997; undated |
1 | 46 | ||
Inessa Josing November 1997 |
1 | 47 | ||
Sanja Ivekovic November-December 1997; May 1998 |
1 | 48 | ||
Kristof Kintera December 1997-January 1998; undated |
1 | 49 | ||
Elke Krystufek January 1998 |
1 | 50 | ||
Peter Land January-May 1998 |
1 | 51 | ||
Michel Majerus March 1998 |
1 | 52 | ||
Bjarne Melgaard January-May 1998 |
1 | 53 | ||
Deimantas Narkevicius January 1998 |
1 | 54 | ||
Fanni Niemi-Junkola April-May 1998 |
1 | 55 | ||
Boris Ondreicka December 1997-May 1998 |
1 | 56 | ||
Tanja Ostojic April-June 1998 |
1 | 57 | ||
Marko Peljhan May 1998 |
1 | 58 | ||
Dan Perjovschi April-May 1998 |
1 | 59 | ||
Tobias Rehberger January, May 1998 |
1 | 60 | ||
Eran Schaerf April-May 1998; undated |
1 | 61 | ||
Tilo Schulz December 1997-July 1998 |
1 | 62 | ||
Neboisa "Shoba" Seric December 1997-May 1998 |
1 | 63 | ||
Ann-Sofi Siden February-May 1998 |
1 | 64 | ||
Sean Snyder April 1998 |
1 | 65 | ||
Apolonija Sustersic March-August 1998 |
1 | 66 | ||
Sara Sze May 1998 |
1 | 67 | ||
Bert Theis February-April 1998 |
1 | 68 | ||
Gitte Villesen May 1998 |
1 | 69 | ||
Richard Wright March 1998 |
1 | 70 | ||
C: Curators' Newsletter |
||||
Box | Folder | |||
Curators Newsletter March-September 1997 |
1 | 71 | ||
Curators Newsletter Drafts February 1998 |
1 | 72 | ||
D: Research, Cities |
||||
Box | Folder | |||
Amsterdam undated |
1 | 73 | ||
Athens October 1997 |
1 | 74 | ||
Athens: Katerina Gregos November 1997; undated |
1 | 75 | ||
Basel June 1998; undated |
1 | 76 | ||
Belfast undated |
1 | 77 | ||
Belfast: Mark Dale undated |
1 | 78 | ||
Belfast: Ciara Finnegan undated |
1 | 79 | ||
Belfast: Susan McWilliams undated |
1 | 80 | ||
Belfast: Susan Philipsz undated |
1 | 81 | ||
Belfast: Dan Shipside undated |
1 | 82 | ||
Belfast: Theo Sims undated |
1 | 83 | ||
Berlin May 1998; undated |
1 | 84 | ||
Berlin: December 1997 1997; undated |
1 | 85 | ||
Berlin: April 1998 undated |
1 | 86 | ||
Bratislava undated |
2 | 87 | ||
Bryssel [Brussels] 1997; undated |
2 | 88 | ||
Budapest 1997; undated |
2 | 89 | ||
Budapest 1998 1997-1998; undated |
2 | 90 | ||
Budapest: Notes and Correspondence January-February 1998; undated |
2 | 91 | ||
Dresden 1997; undated |
2 | 92 | ||
Dublin 1997; undated |
2 | 93 | ||
Dublin: Project Arts Centre 1997; undated |
2 | 94 | ||
Glasgow 1997-1998; undated |
2 | 95 | ||
Glasglow 2 1997; undated |
2 | 96 | ||
Hamburg and Bremen 1998 |
2 | 97 | ||
Helsingfors [Helsinki] 1997 |
2 | 98 | ||
Istanbul 1997; undated |
2 | 99 | ||
Istanbul: Dogan Firuzbay undated |
2 | 100 | ||
Istanbul: Fuson Onur undated |
2 | 101 | ||
Istanbul: Ebru Ozecen undated |
2 | 102 | ||
Kiev 1 1997; undated |
2 | 103 | ||
Kiev 2 1997; undated |
2 | 104 | ||
Kiev 3 undated |
2 | 105 | ||
Kiev: Tatyana Gershuni undated |
2 | 106 | ||
Kopenhamn [Copenhagen] 1997; undated |
2 | 107 | ||
London 1997; undated |
2 | 108 | ||
Luxemburg 1998; undated |
2 | 109 | ||
Lyon 1997; undated |
2 | 110 | ||
Marseille 1997 |
2 | 111 | ||
Montepellier undated |
3 | 112 | ||
Nice 1997; undated |
3 | 113 | ||
Oslo 1997-1998; undated |
3 | 114 | ||
Paris 1997-1998; undated |
3 | 115 | ||
Prag [Prague] undated |
3 | 116 | ||
Riga 1997; undated |
3 | 117 | ||
Rotterdam 1996-1997; undated |
3 | 118 | ||
St. Petersburg 1994, 1995, 1996, 1997; undated |
3 | 119 | ||
St. Petersburg: "Starters" 1996-1997; undated |
3 | 120 | ||
St. Petersburg: "Photo Postscriptum" catalog [photocopied] undated |
3 | 121 | ||
Sarajevo 1996-1997; undated |
3 | 122 | ||
Sarajevo: "Meeting Point" 1997 |
3 | 123 | ||
Skopje [1 of 2] 1997; undated |
3 | 124 | ||
Skopje [2 of 2] 1998-1998; undated |
3 | 125 | ||
Stockholm 1997 |
3 | 126 | ||
Tallinn 1997; undated |
3 | 127 | ||
Thessaloniki 1997; undated |
3 | 128 | ||
Thessaloniki: Richard Whitlock 1997 |
3 | 129 | ||
Tirana 1997; undated |
3 | 130 | ||
Venedig [Venice] 1997; undated |
3 | 131 | ||
Wien [Vienna] 1997 1997; undated |
3 | 132 | ||
Wien [Vienna] 1998 1998; undated |
3 | 133 | ||
Vilnius undated |
3 | 134 | ||
Zagreb undated |
3 | 135 | ||
Zurich 1998; undated |
3 | 136 | ||
E: Research, Artists |
||||
Box | Folder | |||
Franz Ackermann 1997 |
4 | 137 | ||
Eija-Lissa Ahtila undated |
4 | 138 | ||
Ana Maria Alaez 1997; undated |
4 | 139 | ||
Dave Allen undated |
4 | 140 | ||
Tong Ang and Villevoye 1995, 1997; undated |
4 | 141 | ||
Janine Antoni 1992, 1997; undated |
4 | 142 | ||
Lotta Antonsson undated |
4 | 143 | ||
Zeigam Azizov 1993; undated |
4 | 144 | ||
Vanessa Baird 1997; undated |
4 | 145 | ||
Beothy Balazas 1994; undated |
4 | 146 | ||
Orla Barry 1997-1998; undated |
4 | 147 | ||
Magnus Bartas 1996 |
4 | 148 | ||
Vanessa Beecroft undated |
4 | 149 | ||
Otto Berchem 1996-1997; undated |
4 | 150 | ||
Tobias Bernstrup undated |
4 | 151 | ||
Dara Birnbaum 1995; undated |
4 | 152 | ||
Alighiero e Boetti 1995 |
4 | 153 | ||
Monica Bonvicini undated |
4 | 154 | ||
Christine Borland 1996-1999; undated |
4 | 155 | ||
Rebecca Bournigault 1997; undated |
4 | 156 | ||
Martin Boyce 1992, 1995-1996, 1998; undated |
4 | 157 | ||
Eriks Bozis 1996; undated |
4 | 158 | ||
Roddy Buchanan 1997; undated |
4 | 159 | ||
Vita Bujvid 1991-1883; undated |
4 | 160 | ||
David Burrows undated |
4 | 161 | ||
Savvas Christodoulides 1997 |
4 | 162 | ||
Claude Closky 1996-1997; undated |
4 | 163 | ||
Nathan Coley 1997-1998; undated |
4 | 164 | ||
Stephen Craig undated |
4 | 165 | ||
Attila Csorgo undated |
4 | 166 | ||
Danica Dakic 1998 |
4 | 167 | ||
Jiri David undated |
4 | 168 | ||
Yael Davids 1997 |
4 | 169 | ||
Simone Decker 1997 |
4 | 170 | ||
Christina Dimitriadis 1995-1997 |
4 | 171 | ||
Jackie Donachie 1994; 1997-1998 |
4 | 172 | ||
Marie-Louise Ekman 1995; 1998; undated |
5 | 173 | ||
Anna Maria Ekstrand 1998 |
5 | 174 | ||
Olafur Eliasson [1 of 2] 1997-1998 |
5 | 175 | ||
Olafur Eliasson [2 of 2] 1997-1998 |
5 | 176 | ||
Carin Ellberg 1993-1995; 1997-1998 |
5 | 177 | ||
Benczur Emese undated |
5 | 178 | ||
Tracey Emin 1997 |
5 | 179 | ||
Annika Eriksson 1994-1995; 1997-1998 |
5 | 180 | ||
Mikelis Fisers undated |
5 | 181 | ||
Tom Friedman 1995 |
5 | 182 | ||
Katharina Fritsch 1993 |
5 | 183 | ||
Darko Fritz 1996-1997 |
5 | 184 | ||
Dr. Gatev 1994-1996; 1998 |
5 | 185 | ||
Stefan Gec 1995-1996; 1998 |
5 | 186 | ||
Liam Gillick 1996; 1999; undated |
5 | 187 | ||
Leszek Golec 1996 |
5 | 188 | ||
Dominique Gonz 1997-1998 |
5 | 189 | ||
Douglas Gordon 1994-1999 |
5 | 190 | ||
Terence Gower 1994-1996; undated |
5 | 191 | ||
Dan Graham undated |
5 | 192 | ||
Renee Green 1996; undated |
5 | 193 | ||
Pia Greschner 1997; 1999 |
5 | 194 | ||
Eva Grubinger 1997 |
5 | 195 | ||
Lucy Gunning 1996-1997 |
5 | 196 | ||
Martin Gustavsson 1998 |
5 | 197 | ||
Henrik Hakansson undated |
5 | 198 | ||
Hans Hamid Rasmussen undated |
5 | 199 | ||
Ann Hamilton 1993 |
5 | 200 | ||
Brian Hand 1997 |
5 | 201 | ||
Jacqueline Hassink 1995-1997 |
5 | 202 | ||
Annika von Hausswolff 1994; 1997-1998 |
5 | 203 | ||
Svetlana Heger 1998 |
5 | 204 | ||
Svetlana Heger and Plamen Dejanov 1995-1997 |
5 | 204A | ||
Katrine Helmersson 1991; 1993-1994 |
5 | 205 | ||
Oliver Herring 1996 |
5 | 206 | ||
Susan Hiller 1996-1997 |
5 | 207 | ||
Damien Hirst 1994 |
5 | 208 | ||
Pal Hollender 1996-1997 |
5 | 209 | ||
Carsten Holler 1997 |
5 | 210 | ||
Karl Holmquist 211 |
5 | 211 | ||
Barbara Holub 1994-1997 |
5 | 212 | ||
Pierre Huyghe 1994-1997 |
5 | 213 | ||
Aleksandar Ilic 1997 |
5 | 214 | ||
Sanja Ivekovic undated |
5 | 215 | ||
Frans Jacobi undated |
5 | 216 | ||
Jakob Jakobsen 1996-1997 |
5 | 217 | ||
Sossa Jorgensen undated |
5 | 218 | ||
Inessa Josing 1996 |
5 | 219 | ||
Konstantin Kakanias 1993-1997 |
5 | 220 | ||
Kana & Olympios 1996-1997 |
5 | 221 | ||
Fotini Kariotaki 1995, 1997 |
5 | 222 | ||
A Karlsson Rixon 1995; undated |
5 | 223 | ||
Nina Katchadourian 1993, 1997 |
5 | 224 | ||
Ivana Keser 1994; 1996-1997 |
6 | 225 | ||
Joachim Koester 1994; 1996-1997 |
6 | 226 | ||
Endre Koronci 1998; undated |
6 | 227 | ||
Sophia Kosmaoglov 1994-1996 |
6 | 228 | ||
Nikos Krounidis 1996-1997 |
6 | 229 | ||
Elke Krystufek 1998; undated |
6 | 230 | ||
Antal Lakner 1997 |
6 | 231 | ||
Peter Land 1997 |
6 | 232 | ||
Andrea Lange 1997 |
6 | 233 | ||
Mattieu Laurette 1995, 1997 |
6 | 234 | ||
Ming-Wei Lee 1997 |
6 | 235 | ||
Matts Leiderstam [1 of 2] 1994-1995; 1997-1998 |
6 | 236 | ||
Matts Leiderstam [2 of 2] 1994; 1996; undated |
6 | 237 | ||
Zbigniew Libera 1996 |
6 | 238 | ||
Maja Licul 1994; undated |
6 | 239 | ||
Siobhan Liddell 1997 |
6 | 240 | ||
David Lillington 1997 |
6 | 241 | ||
Maria Lindberg undated |
6 | 242 | ||
M Lindberg de Geer 1991 |
6 | 243 | ||
Ann Lislegaard 1997; undated |
6 | 244 | ||
Sarah Lucas 1997 |
6 | 245 | ||
Ulf Lundin 1996-1997 |
6 | 246 | ||
Miltos Manetas 1997 |
6 | 247 | ||
Ebba Matz [1 of 2] 1992-1998 |
6 | 248 | ||
Ebba Matz [2 of 2] 1997 |
6 | 249 | ||
Antoni Maznevski 1997 |
6 | 250 | ||
Paul McCarthy undated |
6 | 251 | ||
Bjarne Melgaard 1996-1998 |
6 | 252 | ||
Maria Miesenberger undated |
6 | 253 | ||
Ana Mendieta 1996 |
6 | 254 | ||
Miss Universum 1998; undated |
6 | 255 | ||
Kari Mjatveit 1995-1996 |
6 | 256 | ||
Tracey Moffatt 1998 |
6 | 257 | ||
Claudia and Julia Moller 1997-1998 |
6 | 258 | ||
Jonathan Monk 1994 |
6 | 259 | ||
Anna Mossman 1997 |
6 | 260 | ||
Monika Moteska undated |
6 | 261 | ||
Valerie Mrejen 1996-1997 |
6 | 262 | ||
Bettina Munk 1991; 1994-1995 |
6 | 263 | ||
Deimantas Narkevicius undated |
7 | 264 | ||
Bruce Nauman 1995-1996 |
7 | 265 | ||
Warren Neidich undated |
7 | 266 | ||
Olaf Nicolai 1997-1998 |
7 | 267 | ||
Pekka Niskanen undated |
7 | 268 | ||
Katarina Norling 1997 |
7 | 269 | ||
Annee Olofsson 1993-1994; 1996-1997 |
7 | 270 | ||
Boris Ondriecka 1998; undated |
7 | 271 | ||
Yoko Ono 1997 |
7 | 272 | ||
Kristin Oppenheim 1996 |
7 | 273 | ||
Ingrid Orfali 1995; undated |
7 | 274 | ||
Gabriel Orozco 1995-1996 |
7 | 275 | ||
Aliki Palaska 1997 |
7 | 276 | ||
Maria Papadimitriov 1996-1997 |
7 | 277 | ||
Gary Perkins 1997 |
7 | 278 | ||
Laurent Pariente 1996 |
7 | 279 | ||
Garrett Phelan 1997 |
7 | 280 | ||
Susan Philipsz 1997-1998; undated |
7 | 281 | ||
Hadrian Pigott 1995; 1997-1998 |
7 | 282 | ||
Henrik Plenge Jakobsen undated |
7 | 283 | ||
Charlotte von Poehl 1996-1998 |
7 | 284 | ||
Antoine Prum 1998; undated |
7 | 285 | ||
Josephine Pryde 1997 |
7 | 286 | ||
Marioca Przyjemska undated |
7 | 287 | ||
Marija Mojca Pungercar undated |
7 | 288 | ||
Lila Polenaki undated |
7 | 289 | ||
Joanna Rajkowska undated |
7 | 290 | ||
Tobias Rehberger 1996; 1998 |
7 | 291 | ||
Heli Rekula 1997 |
7 | 292 | ||
Julie Roberts 293 |
7 | 293 | ||
Liisa Roberts 1996 |
7 | 294 | ||
Almha Roche 1994; 1996-1997 |
7 | 295 | ||
Hindrich Sachs 1997 |
7 | 296 | ||
Tomo Savic-Gecan 1997 |
7 | 297 | ||
Pieter Schoolwerth 1996-1997 |
7 | 298 | ||
Tilo Schulz 1996-2000 |
8 | 299 | ||
Anette Senneby undated |
8 | 300 | ||
Ann-Sofi Siden 1993-1994; 1997-1998 |
8 | 301 | ||
Liina Siib undated |
8 | 302 | ||
Jane Simpson 1998-1999 |
8 | 303 | ||
Ross Sinclair 1997 |
8 | 304 | ||
Anna Siodahl undated |
8 | 305 | ||
Giannis Skaltsas 1997 |
8 | 306 | ||
Smith + Stewart undated |
8 | 307 | ||
Bob and Roberta Smith undated |
8 | 308 | ||
Soba 1997 |
8 | 309 | ||
Nedko Solakov 1996-1997 |
8 | 310 | ||
Sokrates Sokratou 1997 |
8 | 311 | ||
Berit Soot 1996 |
8 | 312 | ||
Dejan Spasovic 1996 |
8 | 313 | ||
Simon Starling 1997-1998 |
8 | 314 | ||
Stephanie Steiner 1993; undated |
8 | 315 | ||
Karl-John Stigmark 1997 |
8 | 316 | ||
Apolonija Sustersic 1997; undated |
8 | 317 | ||
Jan Svenungsson undated |
8 | 318 | ||
Padraig Timoney 1997; undated |
8 | 319 | ||
Rirkrit Tiravanija 1997; undated |
8 | 320 | ||
Bert Theis 1997 |
8 | 321 | ||
Grazia Toderi undated |
8 | 322 | ||
Jaan Toomik 1995; undated |
8 | 323 | ||
Palle Torsson undated |
8 | 324 | ||
Igor Tosjevski 1997 |
8 | 325 | ||
Sophie Tottie 1995; 1997; undated |
8 | 326 | ||
Piotr Uklanski 1998 |
8 | 327 | ||
Clara Ursitti 1997; undated |
8 | 328 | ||
Marianna Uttinen 1997 |
8 | 329 | ||
Zaneta Vangeli 1995; undated |
8 | 330 | ||
Gitte Villesen 1997 |
8 | 331 | ||
Marijke van Warmerdam 1996-1998 |
8 | 332 | ||
Rebecka Warren 1995; 1997 |
8 | 333 | ||
Gillian Wearing undated |
8 | 334 | ||
Olav Westphalen 1997 |
8 | 335 | ||
Elin Wikstrom 1987; 1997-1998 |
8 | 336 | ||
Dan Wolgers 1995 |
8 | 337 | ||
Richard Wright 1997-1998 |
8 | 338 | ||
Yukinori Yanagi 1997 |
8 | 339 | ||
Dolores Zinny and Joan Maidagan 1996-1997 |
8 | 340 | ||
Andrea Zittel 1995 |
8 | 341 | ||
Unknown Artists undated |
8 | 342 | ||
F: Catalogue |
||||
Box | Folder | |||
Catalogue - Development 1997-1998 |
9 | 343 | ||
Catalogue - Authors 1997; undated |
9 | 343a | ||
Text: Germany 1998 |
9 | 344 | ||
Text: Austria 1998 |
9 | 345 | ||
Text: Finland 1998 |
9 | 346 | ||
Text: Holland 1998 |
9 | 347 | ||
Text: Estonia 1998 |
9 | 348 | ||
Text: Latvia 1998 |
9 | 349 | ||
Text: Russia 1998 |
9 | 350 | ||
Text: Lithuania 1998 |
9 | 351 | ||
Text: Ireland 1998 |
9 | 352 | ||
Text: Norway 1998 |
9 | 353 | ||
Text: Turkey 1998 |
9 | 354 | ||
Text: Bosnia 1998 |
9 | 355 | ||
Text: Romania 1998 |
9 | 356 | ||
Text: Albania 1998 |
9 | 357 | ||
Text: Slovenia 1998 |
9 | 358 | ||
Text: Hungary 1998 |
9 | 359 | ||
Text: Italy 1998 |
9 | 360 | ||
Text: Slovakia 1998 |
9 | 361 | ||
Text: Macedonia 1998 |
9 | 362 | ||
Text: Czechoslovakia 1998 |
9 | 363 | ||
Text: Greece 1998 |
9 | 364 | ||
Text: Bulgaria 1998 |
9 | 365 | ||
Text: Luxembourg 1998 |
9 | 366 | ||
Text: Denmark 1998 |
9 | 367 | ||
Text: Ukraine 1998 |
9 | 368 | ||
Text: Croatia 1998 |
9 | 369 | ||
Text: Great Britain 1998 |
9 | 370 | ||
Text: Moldova 1998 |
9 | 371 | ||
Text: Belarus 1998 |
9 | 372 | ||
Text: France 1998 |
9 | 373 | ||
Text: Iceland 1998 |
9 | 374 | ||
Text: Liechtenstein 1998 |
9 | 375 | ||
Text: Belgium 1998 |
9 | 376 | ||
G: Planning, Press, and Administrative Files |
||||
Box | Folder | |||
Travel Information May-June 1997 |
9 | 377 | ||
Travel Itineraries and Budget May-June 1997 |
9 | 378 | ||
Manifesta Budget and Contract May 1997-February 1998 |
9 | 379 | ||
Casino Luxembourg Floorplans 1998; undated |
9 | 380 | ||
Information Center December 1997-May 1998 |
9 | 381 | ||
Manifesta Interns 1998; undated |
9 | 382 | ||
Artists Visit to Luxembourg 1997; undated |
9 | 383 | ||
Press Release 1998 |
9 | 384 | ||
Mailing List 1997; undated |
9 | 385 | ||
Mailing List, cont. 1997; undated |
9 | 386 | ||
Contact List and Travel Report: St. Petersburg and Sarajevo 1997; undated |
9 | 387 | ||
Contact List and Travel Report: Norway, Sweden, Denmark 1997 |
9 | 388 | ||
Contact List and Travel Report: Turkey, Greece, Paris, Montpellier, Macedonia 1997; undated |
9 | 389 | ||
Contact List and Travel Report: Britain, Ireland, Belfast, Albania 1997; undated |
9 | 390 | ||
Artist Contact Information 1997 |
9 | 391 | ||
Receipts 1997-1998 |
9 | 392 | ||
Press Clippings [1 of 2] 1998 |
9 | 393 | ||
Press Clippings [2 of 2] 1998 |
9 | 394 | ||
H: Manifesta 1 |
||||
Box | Folder | |||
Manifesta 1 Press Kit 1996 |
9 | 395 | ||
Press Kit Enclosure: Artslut "Intro Version" and "Library Piece" undated |
9 | 396 | ||
Press Kit Enclosure: Nestwork 1996; undated |
9 | 397 | ||
Press Kit Enclosure: Martin Beck "Offer" 1996 |
9 | 398 | ||
Press Kit Enclosure: Translocal "Camp in my Tent" 1996 |
9 | 399 | ||
Press Kit Enclosure: Uri Tzaig "AHAVA" undated |
9 | 400 | ||
Museum Boijmans-van Beuningen, Rotterdam Press Kit 1996 |
9 | 401 | ||
Museum Boijmans-van Beuningen Press Images 1992; 1995; 1996 |
9 | 402 | ||
Museum Boijmans "Colofon No. 1 Bruce Nauman" 1996 |
9 | 403 | ||
Museum Boijmans "Colofon No. 5 Guillaume Bijl" 1996 |
9 | 404 | ||
Museum Boijmans "Colofon No. 7 Willem Oorebeek" 1996 |
9 | 405 | ||
Museum Boijmans "Colofon No. 11 Lawrence Weiner" 1996 |
9 | 406 | ||
Museum Boijmans "Colofon No. 12 Paul Thek" 1996 |
9 | 407 | ||
Museum Boijmans "Colofon No. 13 Hans Haacke" 1996 |
9 | 408 | ||
Museum Boijmans "Colofon No. 14 Bik Fillingham Van Der Pol" 1996 |
9 | 409 | ||
De Appel, Amsterdam 1996 |
9 | 410 | ||
"Lokaal Europe No. 1" 1996 |
9 | 411 | ||
|
||||
Series II: Other Curatorial Projects, Writings, and Research |
||||
A: Other Curatorial Projects |
||||
Box | Folder | |||
Skaggig Damen [Bearded Lady] 1994 |
10 | 412 | ||
Project Civitella d'Agliano [unrealized] 1994-1996 |
10 | 413 | ||
Duende 1995-1998 |
10 | 414 | ||
Kulturhuvudstad [European Capital of Culture] 1996-1998 |
10 | 415 | ||
Bricks and Kicks "Strange Encounters" 1997 |
10 | 416 | ||
Annika von Hausswolf Exhibition in Kiev 1997 |
10 | 417 | ||
"Stopping the Process?" Seminar 1997 |
10 | 418 | ||
Aktuellt [Current] 1997-1998 |
10 | 419 | ||
Aktuellt [Current]: Slides 1997 |
10 | 420 | ||
ICI [Independent Curators International] 1997-1998 |
10 | 421 | ||
Moderna Museet 1997-1998 |
10 | 422 | ||
Moderna Museet Clippings 1997-1998 |
10 | 423 | ||
Modern Museet Press Kits and Publication 1998 |
10 | 424 | ||
Sao Paolo Bienal 1998 |
10 | 425 | ||
I Am Curious undated |
10 | 426 | ||
Visions du Nord [Visions of the North] 1998 |
10 | 427 | ||
B: Writings, Publications, and Editorial Work |
||||
Box | Folder | |||
Index Magazine 1997 |
10 | 428 | ||
Svenska Dagbladet [Swedish Daily] 1994 |
10 | 429 | ||
Svenska Dagbladet [Swedish Daily] 1995 |
10 | 430 | ||
Svenska Dagbladet [Swedish Daily] 1996 |
10 | 431 | ||
Svenska Dagbladet [Swedish Daily] 1997 |
10 | 432 | ||
Style Sheets for written submissions undated |
10 | 433 | ||
Artiklar [Other Articles by Maria Lind] 1992-1995 |
10 | 434 | ||
C: Research, General [not associated with any identifiable project] |
||||
Box | Folder | |||
Hysteri [Hysteria] undated |
10 | 435 | ||
Hysteria, continued 1995 |
10 | 436 | ||
Fotokonferens Moskva [Photography Conference Moscow] 1993; undated |
10 | 437 | ||
Documenta 97 1997 |
10 | 438 | ||
Stöd och stipendier [Aid and Scholarships] 1994 |
11 | 439 | ||
Take Me I'm Yours 1995 |
11 | 440 | ||
Reconsidering the Object of Art 1995 |
11 | 441 | ||
Stedelijk Museum Bureau [publication] 1997-1998 |
11 | 442 | ||
New Reality Mix 1994 |
11 | 443 | ||
Compartments 1996 |
11 | 444 | ||
Expressen Konstprojekt [art project] 1994-1995 |
11 | 445 | ||
Konstdebatt Svenska Dagbladet [Arts Debate Swedish Daily] 1995 |
11 | 446 | ||
Friedemann Malsch 1996; undated |
11 | 447 | ||
Sigrid Hjerten research 1985-1995; undated |
11 | 448 | ||
Research on Female Artists 1983-1994; undated |
11 | 449 | ||
Research and notes undated |
11 | 450 | ||
M. Louise Stanley Research 1986-1988 |
11 | 451 | ||
Birgit Stahl-Nyberg Research 1977-1980; 1992-1994; undated |
11 | 452 | ||
D: Curatorial Project Proposals from Others |
||||
Box | Folder | |||
10th Biennial of Sydney: Jurassic Technologies Revenant 1996 |
11 | 453 | ||
Exhibition proposal for "Scream and Scream Again: Film in Art" 1996 |
11 | 454 | ||
|
||||
Series III: Education and Biographical Material |
||||
A: Graduate School / University of Stockholm and Whitney ISP |
||||
Box | Folder | |||
Forskartjanst [Research Fellow] 1990-1995 |
11 | 455 | ||
Research Paper "Att utmana konsthistorien [To challenge art history]...Linda Nochlin och Griselda Pollock" 1992 |
11 | 456 | ||
Avhandling [Thesis] on Matts Leiderstam and Lars Nilsson 1996-1997 |
11 | 457 | ||
Whitney Independent Study Program 1995 |
11 | 458 | ||
WISP [Whitney Independent Study Program] Records 1995-1996 |
11 | 459 | ||
B: Teaching |
||||
Box | Folder | |||
Konstteori [Art Theory] undated |
11 | 460 | ||
Förläsning Kurser [Lecture Courses] at Konstfack 1991; 1994-1995; undated |
11 | 461 | ||
Åkersberga [Adult Education Class] 1991-1997 |
11 | 462 | ||
C: Biographical Material |
||||
Box | Folder | |||
Artiklar om ML [Articles about Maria Lind] 1998-1999 |
11 | 463 | ||
Curriculum Vitae 1997; undated |
11 | 464 | ||
Adresslistor [Address List] 1994; 1996; 1997 |
11 | 465 | ||
Nätverk för feministisk konstgorskning [Network for Feminist Art Research] 1991 |
11 | 466 | ||
AICA [Association for Art Critics] Adress List for Swedish Section 1996 |
11 | 467 | ||
Kristineberg 1988; 1991; 1997-2000 |
11 | 468 | ||
Portraits of Maria Lind by Mathias Johansson 1991 |
11 | 469 | ||
Teckningar [Drawings] 2000-2001; undated |
11 | 470 | ||
Aurora Teckningar [drawings] 1993; 1996; undated |
11 | 471 | ||
Kvitton [Receipts] 1991-2000 |
11 | 472 | ||
Kvitton [Receipts] 1998 |
11 | 473 | ||
Kvitton [Receipts] 1996-1997 |
11 | 474 | ||
|
||||
Accretion 2010: Series IIB |
||||
Box | Folder | |||
"Everything Can Be Different" [publication] 2001 |
12 | 474a | ||
Iaspis Publications 2005 |
12 | 474b | ||
Iaspis Publications 2006 |
12 | 474c | ||
Iaspis Publications 2007 |
12 | 474d | ||
"The Walter Hopps Award" [Annotated Draft] March 2009 |
12 | 475 | ||
"The Future of the Graduate Program..." [Annotated Draft] May 2009 |
12 | 476 | ||
"The Future of the Graduate Program..." [Draft] May 2009 |
12 | 477 | ||
"The Curatorial" Fall 2009 |
12 | 478 | ||
"Mountains of Butter, Lakes of Wine" November 2009 |
12 | 479 | ||
"New Forms of Institutional Critique" April 2010 |
12 | 480 | ||
"The Curatorial Intensive: Curatorial Models Revisted" June 2010 |
12 | 481 | ||
"Language and Thinking, Bard College" August 2010 |
12 | 482 | ||
|
||||
Oversize Series I |
||||
Box | Folder | |||
Montpellier: Lieu D'Art Contemporain [Poster] undated |
13 | 483 | ||
St. Petersburg: "Kunst Heimat Kunst" Publication 1994 |
13 | 484 | ||
Janine Antoni "Swoon" [Poster] 1997 |
13 | 485 | ||
Vanessa Baird Prints undated |
13 | 486 | ||
Otto Berchem "619 KBB 75" [poster] 1997 |
13 | 487 | ||
Martin Boyce "Something's Got to Give" [print] 1995 |
13 | 488 | ||
Martin Boyce "A Traveloug (In Advance) No. 2" [print] undated |
13 | 489 | ||
Martin Boyce "How Noisy Everything Grows" [poster] 1992 |
13 | 490 | ||
Martin Boyce "A Travelouge (In Advance)" [print] undated |
13 | 491 | ||
Vita Bujvid [artwork] 1992 |
13 | 492 | ||
Karl Holmquist "CD-ROM KH 21 Poems" [poster] 1997 |
13 | 493 | ||
Karl Holmquist "Now is Allowable" and "CD-ROM Part II" [posters] 1999; undated |
13 | 494 | ||
Fotini Kariotaki "It Moves It Sleeps It Hurts" [poster] 1997 |
13 | 495 | ||
Ivana Keser "A and 2500 Point" [poster] 1994 |
13 | 496 | ||
Sophie Tottie "Project Identity" [poster] 1997 |
13 | 497 | ||
Richard Wright "Inverleith House" [poster] 1999 |
13 | 498 | ||
|
||||
Oversize Series II |
||||
Box | Folder | |||
Birgit Stahl-Nyberg research "Havsverk 14" [publication" 1979 |
13 | 499 | ||
Birgit Stahl-Nyberg research "Konst dar vi bor" [poster] 1979 |
13 | 500 | ||
"Stockholm Smart Show" [publication] 1995 |
13 | 501 | ||
|
||||