Skip to main content.
Bard Conservatory
  • Menu sub-menuMenu
      Programs
    • Undergraduate Double Degree
    • Graduate Vocal Arts
    • Graduate Conducting
    • Graduate Instrumental Arts
    • Collaborative Piano Fellowship
    • Advanced Performance Studies
    • MA in Chinese Music and Culture
    • US-China Music Institute
    • Preparatory Division
      About
    • Our Story
    • Facilities
    • Staff
    • Faculty
    • Contact Us
      News + Events
    • Newsroom
    • Events
    • Kurtag Festival
    • 20th Anniversary
    • Archive
    • Information For:
    • Admitted Undergraduate Students
    • Admitted Graduate Students
  • Bard Conservatory Logo
  • Apply
  • Inquire
  • Events
  • Support
  • Search

     

     

Music, like all art, engages the mind and the heart.

The mission of the Bard College Conservatory of Music is to provide the best possible preparation for a person dedicated to a life immersed in the creation and performance of music.

More About Us
  • Visiting Bard
    Interested in visiting Bard for a campus tour or performance? 
    Learn More
A singer in front of an orchestra in Olin Hall
Photo by Karl Rabe

Offering Unique Undergraduate and Graduate Programs

  • Undergraduate Double Degree in Liberal Arts and Music Performance (BA and BM)
  • Graduate Degree in Vocal Arts (MM)
  • Graduate Degree in Conducting (MM)
  • Graduate Degree in Instrumental Studies (MM)
  • Master of Arts in Chinese Music and Culture (MA)
  • Advanced Performance Studies 
  • Postgraduate Collaborative Piano Fellowship
Learn More
The Bard Conservatory also offers a Preparatory Division for students ages 3–18.

News

A professional photo of Composer in Residence Missy Mazzoli.

Composer in Residence Missy Mazzoli Profiled in the New York Times

“We want the field to expand,” said Mazzoli, “and so bringing in [diversity] helps the field survive and thrive.”
 

Read More
a man in a black t-shirt stands in front of a hallway of gothic stone arches

James Bagwell Named Principal Conductor of the Tulsa Symphony Orchestra and Berkshire Bach Society

Bagwell was recognized by both organizations for the role he has played over the past two decades in creating a consistent record of excellence in choral performance.

Read More
a man conducts an orchestra

US-China Music Institute's Conference on Chinese Music in the West Featured in China Daily 

The three-day program brought together renowned guzheng masters from China, musicians from across North America, and young student performers for a gathering of artistic exchange, collaboration, and performance.

Read More

Meet Our Faculty

See All Faculty
  • Raymond Erickson
    Harpsichord, Piano

    Raymond Erickson

    Raymond Erickson, harpsichordist, pianist, and music historian, graduated with high honors from Whittier College and holds the Ph.D. in musicology from Yale. He is one of America’s most experienced teachers of historical performance practice, having taught the subject since the mid-1970s at Queens College’s Aaron Copland School of Music and the CUNY Graduate Center (DMA program), as well as Rutgers University. In his performances all over the US and Europe, on both harpsichord and piano, he has revived once-standard practices now largely forgotten, such as improvised preludizing and embellishments. In recent years, he has focused on Bach, and has given master classes and lectures on Bach interpretation at major conservatories and universities both here and abroad. He has published non-traditional but historically-based interpretive approaches to the Bach Ciaccona for solo violin and to the classic repertory, as well as on improvisation for classical musicians. His four books include Schubert’s Vienna (Yale, 1997) and The Worlds of Johann Sebastian Bach (Amadeus, 2009), both of which are outgrowths of the Aston Magna Academy program he directed, sponsored by the Aston Magna Foundation with funding from the National Endowment for the Humanities. Erickson’s principal keyboard teachers were pianists Margaretha Lohmann and Nadia Reisenberg and harpsichordists Ralph Kirkpatrick and Albert Fuller.
  • Javier Arrebola
    Graduate Vocal Arts Program

    Javier Arrebola

    Over the past decade, Spanish pianist and scholar Javier Arrebola has emerged as an important figure in art song for his creativity, artistry, performances, and scholarship.

    Mr. Arrebola is currently Artistic Associate at Renée Fleming’s SongStudio at Carnegie Hall and faculty member at the Tanglewood Music Center. In the past, he has held positions as Co-Artistic Director and Director of the Piano Program at SongFest, Head of Piano in the Program for Singers at Ravinia’s Steans Music Institute, Chair of Collaborative Piano at Boston University and Visiting Professor at Indiana University Jacobs School of Music. He is also a frequent guest at institutions such as The Juilliard School in New York City, Shanghai’s Conservatory, Boston’s New England Conservatory, University of Minnesota, Bard College, Hochschule für Musik Karlsruhe, Conservatoire Hector Berlioz in Paris, and The Royal Conservatory’s Glenn Gould School of Music in Toronto.

    In the last years, Mr. Arrebola’s work and contributions have extended to being the video editor and illustrator of, among other projects, Wigmore Hall’s Schubert in Life & Songs, a seminal series by pianist and scholar Graham Johnson, and of SongFest’s Songs of Unity & Hope, an online event conceived and curated by Mr. Arrebola featuring over 60 countries and 40 different languages from all over the world.

    Mr. Arrebola holds a Doctor of Musical Arts Degree and a Master’s Degree in Piano Performance from the Sibelius Academy in Helsinki, as well as degrees in Piano Performance and Chamber Music from the Madrid Royal Conservatory. His doctoral studies included the public performance of all of Schubert's completed piano sonatas on both historical fortepianos and modern instruments, as well as a thesis on The Unfinished Piano Sonatas of Franz Schubert.
  • Yang Xu
    Ruan

    Yang Xu

    Xu Yang, the leader of contemporary ruan scholars in China, performer, educator, professor and doctoral supervisor at Central Conservatory of Music in Beijing, China. Ms. Xu is the associate director of ruan profession committee in China Nationalities Orchestra Society (CNOS), the committee of the national professional skill appraisal expert association, the executive director of Chinese Music Instrument Society, the committee of Chinese Music Instrument Qualification Exam Council, artist director of Ruan Family Orchestra at Central Conservatory of Music, the founder and executive director of Ruan Family at The Ocean of Music instrument company, the director of Xu Yang Ruan Family International Cultural Research Institute. She had studied with Pang Yuzhang, Lin Jiliang, Ning Yong. Yang has published few ruan text books and ruan recordings, such as "The best way to learn is learn from the best - Ruan Tutorial" Book 1 and 2, "Central Conservatory Ruan Qualification Exam Repertoire", "Chinese National Ruan Qualification Exam Repertoire", "Happy Learning Ruan - Study with Famous Teacher!", "The Rhythm of the mountain", etc. Over more than 40 Xu's students were winning in different national and international Chinese Music competitions, and many of the students have became ruan professor in different schools and also professional ruan players in the professional orchestras. In view of her outstanding artistic innovation ability and teaching achievements, Ms. Xu has won several awards, including selected into the ministry of education's program called "Outstanding Backbone Teacher Supporting Program" in 2009; the "Excellent Gardener Award" from the youth vanguard team of the central league and the foreign exchange center of the ministry of culture, the "Excellent Instructor Award" from "The Talented Musicians Raising Program" in 2016, central conservatory BOB excellent instructor, the title of "Outstanding Performer" in 2018.
  • Keisuke Ikuma
    Chamber Music Instructor

    Keisuke Ikuma

    Keisuke Ikuma is a highly sought-after oboe and english horn player in the New York metropolitan area. He is currently a member of the Hudson Valley Philharmonic and the Stamford Symphony. He also performs regularly with the New York Philharmonic, the New Jersey Symphony Orchestra, the Orchestra of St. Luke’s, the Orpheus Chamber Orchestra, and numerous Broadway shows such as “The King and I,” “Wicked,” and “Phantom of the Opera”. Mr. Ikuma received his Bachelor of Music degree from the Manhattan School of Music, where he was a full-scholarship student of Joseph Robinson, former principal oboist of the New York Philharmonic. Mr. Ikuma studied conducting with Constantine Kitsopoulos and David Gilbert, and made his Broadway conducting debut in the 2015 Tony Award-winning production “The King and I” at Lincoln Center Theater. He recently served as interim Chorus Director of the Keio High School in Westchester.
Powered by Curator.io

Follow @bardcollegeconservatory on Instagram!

Bard College
Bard College
Conservatory of Music
30 Campus Road
Annandale-on-Hudson
New York 12504-5000
845-758-7196
[email protected]
More Music at Bard: 
Bard Music Program
The Orchestra Now
Musical Mentorship Initiative
Contact Us
Visit the Conservatory
Join our Mailing List
Support Us
Accreditation 
Undergraduate Inquiry Form
Graduate Inquiry Form
Virtual Viewbook
Join the Conversation
Facebook
Twitter
Instagram
YouTube

All photos by Karl Rabe unless stated otherwise.