Bard Conservatory of Music’s US–China Music Institute and the Central Conservatory of Music, China, Present “The Sound of Spring:” A Chinese New Year Concert with The Orchestra Now (TŌN)
The sixth annual “The Sound of Spring” concert celebrating the Chinese New Year will be held on January 25 and 26, 2025, at the Fisher Center at Bard College and Rose Theater at Jazz at Lincoln Center in New York City. Both performances will begin at 3 pm. The Orchestra Now performs under the baton of conductor Jindong Cai, featured soloists Wang Lei, Yan Guowei, Zhang Jingli and Bard graduate student and pipa virtuoso JinOu Anastasia Dong, presenting a musical celebration to usher in the Spring Festival.
Bard Conservatory of Music’s US–China Music Institute and the Central Conservatory of Music, China, Present “The Sound of Spring:” A Chinese New Year Concert with The Orchestra Now (TŌN)
Jindong Cai conducts The Orchestra Now at Jazz at Lincoln Center. Photo by Fadi Kheir
Each year, “The Sound of Spring” showcases exemplary symphonic works from the modern and contemporary repertoire, often featuring concertos for traditional Chinese instruments. This year, Maestro Jindong Cai, director of the US–China Music Institute, introduces the pipa concerto “Sisters of the Grassland,” a milestone work in the development of Chinese ethnic music. Based on Wu Yingju’s animated film of the same name and inspired by Inner Mongolian folk songs, the piece portrays the heroic efforts of two Mongolian sisters, Longmei and Yurong, as they courageously battle a blizzard to protect their flock. Composed in 1972 by Wu Zuqiang, Wang Yanqiao, and Liu Dehai, the piece established the precedent for pipa concertos with orchestral accompaniment. In January 1979, shortly after the formal establishment of diplomatic relations between China and the United States, Seiji Ozawa conducted the Boston Symphony Orchestra in a performance of “Sisters of the Grassland” during their historic visit to China, followed soon after by its US premiere.
The concert will also feature multiple works by contemporary Chinese composers, including three concertos for Chinese instruments and orchestra. The erhu concerto “Ink Plum” by renowned artist and educator Yu Hongmei, inspired by Wang Mian’s poem “Ink Plum” from the Yuan Dynasty, combines classical poetry with modern compositional techniques with a grand yet nuanced effect. The concerto will be performed by Yan Guowei, associate professor of Erhu at the Central Conservatory of Music, who is celebrated as one of China’s top ten young Erhu performers and a recipient of the prestigious “Golden School Badge” award from the Central Conservatory.
The percussion concerto “Cang Cai,” composed by Tang Jianping in 2003, merges the sounds of Chinese Peking Opera and with crashing cymbals. The work will be performed by Zhang Jingli, a distinguished percussionist and professor at the Central Conservatory of Music. Zhang has served as principal percussionist of the China Symphony Orchestra and the China Philharmonic Orchestra and is a frequent judge at international percussion competitions.
This year’s concert will also feature the world premiere of “Majestic Gallop” by composer and Visiting Professor of Chinese Music at Bard College Xinyan Li. A concerto for sheng and orchestra, the piece will be performed by Wang Lei, professor at the Central Conservatory of Music and sheng virtuoso. The piece is inspired by the vast grasslands of Hulunbuir, galloping horses, and the simple life of herders, showcasing the expressive power of the sheng and incorporating Mongolian long tunes.
In addition to the classic “Spring Festival Overture” and the aforementioned concertos, the concert will present two symphonic works: “East and West III: Tao for All” by Zhang Shuai, and “The Majestic Land” by Li Shaosheng. Zhang’s “East and West III” draws inspiration from the Tao Te Ching and reflects the composer’s deep philosophical insights into Taoism, nature, and life. Li’s “The Majestic Land” will close the concert. The work portrays the grandeur of China’s landscapes throughout the day, from the sunrise over Mount Tai to the starry sky above China’s 500-meter Aperture Spherical Telescope (FAST).
This year’s “The Sound of Spring” will once again feature a pre-concert demonstration with Chinese traditional instruments, offering the public the opportunity to engage with instruments and meet musicians starting at 2pm, an hour before each concert.
Sixth Annual “The Sound of Spring” Chinese New Year Concert
PERFORMANCE DETAILS
Saturday, January 25, 2025, 3 pm
(Pre-concert event in the Fisher Center lobby at 2 pm)
Fisher Center for the Performing Arts at Bard College
Tickets $25
http://barduschinamusic.org/events/spring-25-bard
Sunday, January 26, 2025, 3 pm
(Chinese traditional instrument demonstrations and Spring Festival activities at 2 pm in the Rose Theater Lobby)
Rose Theater, Jazz at Lincoln Center’s Frederick P. Rose Hall
10 Columbus Circle, New York, 5th Floor
Tickets: From $25
Ticket Purchase: Online at https://ticketing.jazz.org/ or by phone at 212-721-6500 (or in person at the box office to avoid service fees)
http://barduschinamusic.org/events/spring25
Post Date: 01-17-2025
Bard College Student Aleksandar Vitanov ’25 Named a Schwarzman Scholar
Bard College senior Aleksandar Vitanov ’25 has been announced as a recipient of a prestigious Schwarzman Scholarship for 2025-26. Vitanov, who is pursuing a double degree in Politics and Music Performance at Bard and the Bard Conservatory, is one of 150 scholars—representing 38 countries and 105 universities from around the world—who will receive the opportunity to attend a one-year, fully-funded master’s degree program in global affairs at Schwarzman College, Tsinghua University in Beijing, China.Bard College Student Aleksandar Vitanov ’25 Named a Schwarzman Scholar
Aleksandar Vitanov ’25. Photo by Jonathan Asiedu '24
“I am very grateful to the Schwarzman Scholars Program for this opportunity,” Vitanov said. “I would also like to express my appreciation to my family and all of my mentors for their support throughout my journey.”
Schwarzman Scholars has become one of the most selective graduate fellowship programs, with this year’s admitted students marking its tenth cohort. The program supports up to 200 students annually and is designed to build a global community of future leaders who will serve to deepen understanding between China and the rest of the world. This year, Schwarzman Scholars received the highest number of applications in its ten-year history, with the class of 2025-26 selected from a pool of nearly 5,000 candidates worldwide.
“Our tenth cohort fills me with optimism for the future,” said Stephen A. Schwarzman, founding trustee of Schwarzman Scholars. “This year’s selected Scholars are keenly interested in learning about China and broadening their understanding of global affairs, which are both now more important than ever. Our network, now ten classes strong, is already starting to make a global impact, and I am proud of our program’s continued success. I look forward to watching this inspiring community continue to grow.”
Vitanov, originally from North Macedonia, is a student fellow at the Hannah Arendt Center and founder and former president of the Alexander Hamilton Society at Bard. He interned at Hudson’s Europe and Eurasia Center and Charney Research. Vitanov also founded the Musical Mentorship Initiative to provide free music education to Bard’s local community, and won, with a group of classmates, the Davis Projects for Peace prize to expand the initiative to Nairobi and Mombasa, Kenya. As a Schwarzman Scholar, Vitanov hopes to study China’s strategy in Southeastern Europe.
Post Date: 01-15-2025
The Orchestra Now Begins 2025 Winter/Spring Season at Bard College with Six Concerts and Three Programs, February 8 – April 6
Highlights include a Carnegie Hall preview concert offering three orchestral transcriptions of works by master composers Beethoven, Chopin, and Smetana (February 8-9); the TŌN spring benefit, a unique collaboration with the dancers of American Ballet Theatre Studio Company (February 28 and March 1); and the season’s closing concert at Bard with works by Kaija Saariaho, Albéric Magnard, and Carl Maria von Weber with soloist and winner of the 2023 Bard Conservatory Concerto Competition, clarinetist Miles Wazni (April 5-6).The Orchestra Now Begins 2025 Winter/Spring Season at Bard College with Six Concerts and Three Programs, February 8 – April 6
Leon Botstein conducting The Orchestra Now. Photo by David DeNee
Special Event Collaboration American Ballet Theatre Studio Company
TŌN Makes First Visit to Europe with Two Concerts in Germany on May 6 & 8
Soloists Include Violinist Anna Reszniak, Cellist Benedict Kloeckner, Clarinetist Miles Wazni,
and Guest Conductor Charles Barker
New York, NY, January 7, 2025 — The Orchestra Now (TŌN) begins its winter/spring, 10th anniversary season with performances led by music director Leon Botstein at the Fisher Center at Bard College on February 8, and continues through April 6.
Highlights include a Carnegie Hall preview concert offering three orchestral transcriptions of works by master composers Beethoven, Chopin, and Smetana (February 8-9); the TŌN spring benefit, a unique collaboration with the dancers of American Ballet Theatre Studio Company (February 28 and March 1); and the season’s closing concert at Bard with works by Kaija Saariaho, Albéric Magnard, and Carl Maria von Weber with soloist and winner of the 2023 Bard Conservatory Concerto Competition, clarinetist Miles Wazni (April 5-6).
Marking the Orchestra’s first visit abroad during its 10th anniversary, TŌN performs two concerts in Germany: one at the Koblenz IMUKO Festival (Internationale Musik-Kontakte) (Koblenz, May 6); and the second commemorating the end of the Second World War in Europe 80 years ago and performed in a concert hall built on the same grounds where the Nazi regime was rallying (Nuremberg, May 8).
THE FISHER CENTER AT BARD COLLEGE, SOSNOFF THEATER
Transcription as Translation: A Carnegie Hall Preview Concert
Saturday, February 8, 2025, at 7 PM
Sunday, February 9, 2025, at 2 PM
Leon Botstein, conductor
Mily Balakirev: Chopin Suite
Bedřich Smetana (orch. Szell): From My Life (String Quartet in E Minor)
Beethoven (orch. Weingartner): Hammerklavier (Piano Sonata No. 29)
In 1910, the last year of his life, Russian composer and pianist Mily Balakirev transcribed four pieces into an orchestral suite to celebrate the centenary of Chopin’s birth. To honor another centenary in 1927, that of Beethoven’s death, Austrian conductor and composer Felix Weingartner crafted a full orchestration of Beethoven’s Piano Sonata No. 29, the Hammerklavier. While teaching composition at Mannes College of Music in 1940, acclaimed Hungarian-born American conductor George Szell created an orchestral transcription of Smetana’s E-minor String Quartet, From My Life.
This program will be performed at Carnegie Hall on February 11
Spring Benefit: TŌN + ABT Studio Company
Friday, February 28, 2025, at 7:30 PM
Saturday, March 1, 2025, at 7:30 PM
Charles Barker, conductor
American Ballet Theatre Studio Company
Tarantella: George Balanchine, choreography; Music by Louis Moreau Gottschalk
Crimson Flame: Madison Brown, choreography; Music by Philip Glass
Birthday Variations (Pas de Deux): Gerald Arpino, choreography; Music by Giuseppe Verdi
Night Falls: Brady Farrar, choreography; Music by Frederic Chopin
Swan Lake Act III (Pas de Deux): Kevin McKenzie, choreography, after Marius Petipa and Lev Ivanov; Music by Pyotr Il’yich Tchaikovsky
Human: Yannick Lebrun, choreography; Music by Blick Bassy
U Don’t Know Me: Houston Thomas, choreography; Music by Avro Pärt
Plus additional works to be announced.
Two of New York’s finest artistic training programs join forces as the graduate musicians of The Orchestra Now welcome the dancers of American Ballet Theatre Studio Company to the Fisher Center at Bard for a performance of music and dance.
Weber & Laterna Magica
Saturday, April 5, 2025, at 7 PM
Sunday, April 6, 2025, at 2 PM
Leon Botstein, conductor
Miles Wazni, clarinet
Kaija Saariaho: Laterna Magica
Carl Maria von Weber: Clarinet Concerto No. 2 in E-flat major, Op. 74
Albéric Magnard: Symphony No. 4
The final performance of TŌN’s 10th season at the Fisher Center begins with Finnish composer Kaija Saariaho’s Laterna Magica (The Magic Lantern), inspired by filmmaker Ingmar Bergman’s autobiography of the same name, and commissioned by the Berlin Philharmonic and the Lucerne Festival. As she read the book, Saariaho said her composition was inspired by “the Laterna Magica, the first machine to create the illusion of a moving image: as the handle turns faster and faster, the individual images disappear and instead the eye sees continuous movement.” The work’s 2009 world premiere was given by the Berlin Philharmonic and Simon Rattle. The Orchestra is then joined by clarinetist Miles Wazni, a winner of the 2023 Bard Conservatory Concerto Competition, for Carl Maria von Weber’s virtuosic three-movement Clarinet Concerto No. 2, written for the notable clarinetist Heinrich Baermann, the soloist at the 1813 premiere. The concert closes with composer Albéric Magnard’s final symphony. Often referred to as the “French Bruckner,” his work is fully rooted in late 19th-century French Romantic tradition. Magnard became a national hero in 1914 when he died defending his property from German invaders.
Tickets, priced at $15 - $35, are available online at fishercenter.bard.edu, or by calling the Fisher Center at 845.758.7900.
THE ORCHESTRA NOW IN GERMANY
TŌN performs two concerts in Germany, marking the Orchestra’s first visit abroad on the occasion of its 10th anniversary. The May 6 concert in Koblenz is part of the Koblenz IMUKO Festival (Internationale Musik-Kontakte), which has a dedicated focus on multicultural engagement, bringing together artists from different genres and cultures to perform, collaborate, and share their musical traditions to strengthen a sense of global community. The featured soloist is acclaimed cellist Benedict Kloeckner, artistic director of the IMUK0 Festival.
The May 8 performance in Nuremberg, at the invitation of the Nuremberg Symphony Orchestra, commemorates the date exactly 80 years ago, when the Second World War in Europe ended in 1945. The memorial concert features music by Mendelssohn, whose music was banned during the Nazi era owing to his Jewish heritage. By featuring Mendelssohn’s music, the concert seeks to recall the hope that the 1945 victory in Europe over Nazism would bring peace and tolerance in a new world without war. The program spotlights Polish violinist Anna Reszniak, concertmaster of the Nürnberger Symphoniker, and award-winner of the Poznan Wieniawski Competition and the Sion-Valais Shlomo Mintz competitions, among many others.
The May 8 concert in Nuremberg will be broadcast live on German radio by Bayerischer Rundfunk.
Tuesday, May 6, 2025, at 7:30 PM
Koblenz, Germany, Rhein-Mosel Halle
Leon Botstein, conductor
Benedict Kloeckner, cello
Max Bruch: Adagio on Celtic Melodies for cello and orchestra, Op. 56
Robert Schumann: Symphony No. 3 in E-flat major, Op. 97, “Rhenish”
Max Bruch: Ave Maria for cello and orchestra, Op. 61
Felix Mendelssohn: Symphony No. 5, “Reformation”
Thursday, May 8, 2025, at 8:00 PM
Nuremberg, Germany, Musiksaal der Kongresshalle
Leon Botstein, conductor
Anna Reszniak, violin
Chamber Choir of the Nuremberg University of Music, directed by Peter Dijkstra
All-Felix Mendelssohn Program:
Violin Concerto in E minor, Op. 64
Symphony No. 5 in D major/D minor, Op. 107, “Reformation”
Choral Cantata Verleih uns Frieden
For detailed information about the 2025 winter/spring season, visit ton.bard.edu.
Post Date: 01-13-2025
More Conservatory News
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Bard College Conservatory of Music Presents “Come Out of the Cold: A Winter Cabaret” Featuring Countertenor Anthony Roth Costanzo on December 20
Bard College Conservatory of Music Presents “Come Out of the Cold: A Winter Cabaret” Featuring Countertenor Anthony Roth Costanzo on December 20
On December 20, Bard College Conservatory of Music will present “Come Out of the Cold: A Winter Cabaret,” a celebration of seasonal cheer, warmth, and song. The inaugural, intimate winter cabaret, which will take place at the Fisher Center Luma Theater on Bard’s Annandale campus at 7 PM, will wrap up the Conservatory's fall concert season with a program that blends treasured holiday classics and art song intended to transport audiences to a world of winter joy and musical splendor.Winter, Monadnock by Abbott Handerson Thayer; Smithsonian American Art Museum and its Renwick Gallery
“Although we regret that internationally renowned mezzo-soprano Stephanie Blythe cannot perform as previously announced due to illness, we are delighted to welcome acclaimed opera star and countertenor Anthony Roth Costanzo, who will join the talented singers of the Graduate Vocal Arts Program and the exceptional Conservatory Piano Fellows for this one-night-only, holiday-infused evening,” said Conservatory director Frank Corliss.
Celebrated for his radiant voice and compelling stage presence, Anthony Roth Costanzo will bring his unique artistry to the Luma Theater stage. Costanzo, who is currently general director and president of Opera Philadelphia, has appeared with many of the world’s most prestigious opera companies and orchestras including the Metropolitan Opera, Lyric Opera of Chicago, San Francisco Opera, Opera National de Paris, Teatro Real, New York Philharmonic, London Symphony Orchestra, and many others.
The program features cherished seasonal songs including “Lo, How a Rose E'er Blooming,” “It’s the Most Wonderful Time of the Year” (Pola & Wyle), “Have Yourself a Merry Little Christmas” (Martin & Blane), and “White Christmas” (Irving Berlin).
“We are thrilled to close our fall concert season with a performance that brings together the beauty of winter with the festive spirit of the holidays,” said Corliss. “This concert will highlight the talent of our young artists, alongside members of the renowned Vocal Arts Program faculty, and is a perfect way to ring in the season.”
Tickets: Priced at $45 general admission ($5 for Bard students). Tickets are limited and may be purchased at https://fishercenter.bard.edu/events/winter-cabaret/ or by calling the Fisher Center’s Box Office at 845-758-7900.
Post Date: 12-10-2024
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Bard Conservatory Orchestra Presents Concert with Maestro Leon Botstein on December 14
Bard Conservatory Orchestra Presents Concert with Maestro Leon Botstein on December 14
The Bard College Conservatory Orchestra presents a concert performance with Music Director Leon Botstein conducting and featuring soloists from the Bard Graduate Vocal Arts Program. The program includes Franz Schubert’s Symphony No. 8 in B Minor “Unfinished”; Felix Mendelssohn-Bartholdy’s Psalm 42, Op. 42, Wie der Hirsch schreit (As the hart cries out); and Dmitri Shostakovich’s Symphony No. 10 in E minor, Op. 93. The performance will be held on Saturday, December 14, at 7 pm in the Fisher Center’s Sosnoff Theater. Tickets have a suggested donation of $15–$20 or free for Bard students and members of the Bard community. The performance will be livestreamed. Virtual livestream tickets are pay what you wish. All ticket sales benefit the Bard College Conservatory Scholarship Fund. For tickets and information visit fishercenter.bard.edu or call 845-758-7900 (Mon-Fri 10am-5pm).Maestro Leon Botstein conducts the Bard College Conservatory Orchestra. Photo by Karl Rabe
Franz Schubert’s Symphony No. 8 in B Minor “Unfinished,” composed just over 200 years ago, heralds a new Romantic sound in its orchestration, provides a supreme example of Schubert’s lyrical gifts, displays his bold harmonic daring, and projects an extraordinary range of emotions. Beginning in 1830, Felix Mendelssohn-Bartholdy composed an impressive series of psalm settings and drafted Psalm 42 (“As the hart cries out for fresh water”) while on his honeymoon in the summer of 1837. Psalm 42 became one of his most popular religious compositions, unfolding in seven movements, beginning with a chorus that is calm and lyrical and ending in a triumphant finale. Dmitri Shostakovich began writing his Tenth Symphony in the summer of 1953, a few months after Stalin died, and completed it quickly. Premiering in Leningrad in December 1953, the work received a mixed reception but has since emerged for many listeners as Shostakovich’s greatest symphonic achievement. “In this work I wanted to convey human feelings and passions,” he has stated.
This concert in the Fisher Center’s Sosnoff Theater is dedicated to the late Richard B. Fisher, whom we celebrate on the 20th anniversary of his death. Richard Fisher was a man of deep intellectual curiosity, an enlightened patron of the arts, chairman emeritus of Morgan Stanley, and former chair of Bard College’s Board of Trustees. The magnificent Fisher Center building and the extraordinary arts experiences that take place within it are a tribute to his vision.
Post Date: 12-10-2024
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Conservatory of Music Appoints New Faculty Member
Conservatory of Music Appoints New Faculty Member
Bard College Conservatory of Music is pleased to announce that baritone Tyler Duncan will join its faculty in the Graduate Vocal Arts program. Duncan, whose voice faculty appointment will begin in fall 2025, has performed worldwide to great acclaim in both opera and concert repertoire, and with several of the world’s leading orchestras including the New York Philharmonic, San Francisco Symphony, Toronto Symphony Orchestra, Tafelmusik, Minnesota Orchestra, and the Kansas City Symphony. He has performed numerous roles at The Metropolitan Opera, including Fiorello in Il barbiere di Siviglia, Moralès in Carmen, Prince Yamadori in Madama Butterfly, and the Journalist in Lulu. Other notable appearances have included Mr. Friendly in the 18th-century ballad opera Flora and Sprecher in Die Zauberflöte at the Spoleto Festival USA, Raymondo in Handel’s Almira, Dandini in La Cenerentola with Pacific Opera Victoria and Demetrius in A Midsummer Night’s Dream at the Princeton Festival. Duncan has also been the recipient of prizes from the Naumburg, London’s Wigmore Hall, and Munich’s ARD competitions, and has won the Joy in Singing competition, the New York Oratorio Society’s Lyndon Woodside Oratorio-Solo Competition, the Prix International Pro Musicis Award, and the Bernard Diamant Prize from the Canada Council for the Arts.Tyler Duncan. Photo by Kristopher Johnson
Post Date: 11-22-2024
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Joan Tower’s Cello Concerto A New Day Featured in Times Union
Joan Tower’s Cello Concerto A New Day Featured in Times Union
A New Day, a cello concerto released in 2021 by Joan Tower, Asher B. Edelman Professor in the Arts at Bard College, was featured in Times Union. The work, which began as a commission by the Colorado Music Festival, Cleveland Orchestra, Detroit Symphony Orchestra, and National Symphony Orchestra, was written while Jeff Litfin, her late husband of 50 years, was dying. “I was in real bad shape,” Tower said. “So I decided to write. In fact, all the music I've been writing since then is about him.” The concerto, which will be performed by Albany Symphony in Troy on November 16 and 17, contains four movements: “Daybreak,” “Working Out,” “Mostly Alone” and “Into the Night.” The titles are intentionally simple, allowing for many interpretations of a single day, she told Times Union.Joan Tower.
Post Date: 11-12-2024
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Bard’s Conservatory of Music Presents Benjamin Hochman Album Release Concert on Nov. 8, 2024
Bard’s Conservatory of Music Presents Benjamin Hochman Album Release Concert on Nov. 8, 2024
The Bard College Conservatory of Music is pleased to present a celebration of the new album release by renowned pianist and conductor Benjamin Hochman, a lecturer at Bard College Berlin. The event, which takes place on November 8, 2024 at 7 pm in the Bitó Conservatory Building on Bard’s campus, will begin with a reception followed by a piano concert of Hochman’s album Resonance. The event is free and open to the public. For more information, please visit here.Benjamin Hochman. Photo by Omri Ben David / Culiner Creative Circle
Resonance will be released by Avie Records on November 1, 2024. It features Beethoven Piano Sonatas Op. 109 and 110, George Benjamin’s Shadowlines, and works by Josquin de Prez and John Dowland. “This program is a journey from darkness to light, a study in contrasts that nevertheless finds resonance across the centuries, ultimately finding transcendence and even triumph,” Hochman writes.
Born in Jerusalem in 1980, Hochman’s chamber music collaborations have taken him to Berlin, Budapest, Vancouver, Boston, Seattle, Dallas, Charlottesville, the Clark Art Institute in Massachusetts, and Brown University. He currently curates the Kurtág Festival, a three-day event inspired by the musical explorations of György Kurtág, at Bard College in Annandale.
Post Date: 10-30-2024
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The Seventh China Now Music Festival Reviewed in China Daily
The Seventh China Now Music Festival Reviewed in China Daily
The China Now Music Festival, a collaboration between the US-China Music Institute of the Bard College Conservatory of Music and the Central Conservatory of Music, China, was reviewed in China Daily. The festival, now in its seventh season and with the theme Composing the Future, performed on Saturday at Carnegie Hall in New York City, where Sun Yuming, a composer and lecturer on electronic music composition at the Central Conservatory of Music in Beijing, introduced his piece “Starry Night.” The composition featured AI-driven visuals which were rendered in real time to blend physical and virtual instruments. “This approach combines the unique characteristics of traditional instruments with the innovations of electronic music, integrating AI throughout the entire performance—not only in sound but also in the visual effects on stage.” Sun told China Daily.Photo by Fadi Kheir
Post Date: 10-22-2024
Upcoming Events and Performances
Jan
25
The Sound of Spring
Saturday, January 25, 2025
Saturday, January 25, 2025
Jan
31
Undergraduate Opera Workshop
Friday, January 31, 2025
Friday, January 31, 2025
Feb
01
Undergraduate Opera Workshop
Saturday, February 1, 2025
Saturday, February 1, 2025
Feb
02
Undergraduate Opera Workshop
Sunday, February 2, 2025
Sunday, February 2, 2025