Since 1978 The Bard Center has developed pacesetting educational and scholarly programs with a recognized influence nationwide. The Center promotes the study of the liberal arts and sciences as they relate to issues of public planning and decision making in and beyond the Hudson River Valley. These programs enrich the intellectual, cultural, and social experience of Bard undergraduates and establish a network of academic and professional centers beyond the campus.
Bard Conservatory students perform at the Fisher Center for the Performing Arts. Photo by Karl Rabe.
What We Do
The Bard Center sponsors lectures, seminars, conferences, and concerts on campus, bringing students into contact with prominent researchers, artists, musicians, scientists, and other leaders in fields that many undergraduates aspire to enter. An equally influential aspect of its activities is the shared learning experience of College and community members. Center projects in which students have participated have had an impact on such diverse and far-reaching pursuits as new directions in music and the arts, the development of health care in cities, solutions to functional illiteracy, and groundbreaking ecological research. Because the Center’s focus is intellectual in the broadest sense, rather than narrowly academic, it encourages students from their first year onward to share the mantle of social responsibility and leadership.
Bard Center Fellows
Bard Center fellows, who serve active terms of varying lengths, present seminars and lectures that are open to the public and teach or direct research by Bard undergraduates. Fellows are chosen on the basis of special achievement in the arts, sciences, literature, philosophy, history, or social studies. The following prominent scholars and artists currently serve as fellows:
Stephen Graham, publisher, theatrical producer, and professor of writing and British literature
Founder and executive director of the New York Theatre Workshop (1979–86) and copublisher of Ecco Press (1993–98), he has previously taught at Columbia University and the New School for General Studies. His teaching and research interests also include 19th-century historiography, canon formation, and fin-de-siècle French prose.
Bradford Morrow, novelist, poet, critic, and editor
His published work includes the novels Come Sunday, The Almanac Branch, Trinity Fields, Giovanni’s Gift, and Ariel’s Crossing, and the poetry collections Posthumes: Selected Poems 1977–1982, Danae’s Progress, The Preferences, andA Bestiary. He is a founding editor of Conjunctions, the widely respected literary journal published at Bard; a professor of literature at the College; and the executor of the estate of the poet Kenneth Rexroth.
Founded in 1982, the Institute for Writing and Thinking (IWT) has been guiding teachers in developing and refining writing practices for more than 30 years. Through intellectually stimulating and practical workshops, conferences, and on-site consulting, IWT brings secondary and college teachers together and supports their efforts to make writing a central classroom practice.
Program Spotlight
The philosophy and practice of IWT are one: writing is both a record of completed thought and an exploratory process that supports teaching and deepens learning across disciplines. To this end, IWT’s core workshops include “Writing to Learn,” “Teaching the Academic Paper,” “Creative Nonfiction: Telling the Truth,” “Inquiry into Essay,” “Writing and Thinking through Technology,” “Writing to Read Scientific Texts,” and “Poetry in Today’s Classroom.” IWT also offers an annual March Curriculum Conversation—a series of workshops intended to foster innovative approaches to teaching canonical texts through diverse writing and thinking practices. These workshops foster innovative approaches to teaching texts that help students understand their enduring relevance. Homer’s Odyssey, Mark Twain’s The Adventures of Huckleberry Finn, Richard Wright’s Black Boy (American Hunger), and Junot Diaz’s The Brief Wondrous Life of Oscar Wao are among the texts that have been addressed. The Institute’s annual April conference focuses on a pedagogical practice or genre, or an issue on the minds of educators today, such as “Fail Better: Writing, Thinking, and Risk Taking in the American Classroom,” “Common Sense: Writing, Thinking, and the Common Core,” “New Kinds of Attention: Teaching Writing in a Digital Age,” and “Serious Play: Teaching through Poetry.”
IWT workshops demonstrate how teachers can lead their students to discover and make meaning, engage in productive dialogue, and learn the critical thinking skills that support academic writing and foster the capacity for lifelong learning. With workshops at Bard; on-site across the United States; internationally, at sites in Sweden, Haiti, Lithuania, and Myanmar, among others; at partner institutions in Kyrgyzstan, Russia, the West Bank, and Germany; and through a variety of summer programs for high school and college students, IWT supports educators, students, and writers worldwide.
Bard Center Initiatives
Bard Fiction Prize
The Bard Fiction Prize is awarded annually to an emerging writer who is an American citizen aged 39 years or younger at the time of application. In addition to a monetary award, the recipient is appointed writer in residence at Bard College for one semester. The prize is intended to encourage and support young writers of fiction and to provide them with an opportunity to work in a fertile intellectual environment.
The Leon Levy Endowment Fund was created in 1995 by the Bard College Board of Trustees, in recognition of more than a decade of transformative philanthropy by Leon Levy, founder of the Levy Economics Institute. Through grants in many areas, the fund supports Bard College’s academic excellence.
Leon Levy Endowment Fund
The Leon Levy Endowment Fund was created in 1995 by the Bard College Board of Trustees, in recognition of more than a decade of transformative philanthropy by Leon Levy, founder of the Levy Economics Institute. Through grants in many areas, the fund supports Bard College’s academic excellence.
Leon Levy Scholarships are awarded annually to second- and third-year students who demonstrate exceptional merit in written and oral expression, evidence of independent thinking and intellectual leadership, and interest in a breadth of academic and artistic pursuits. The fund also supports the Bard Music Festival (see below) and its associated book series, and makes possible many lectures and performances at Bard. The Leon Levy Professorship in the Arts and Humanities is held by Leon Botstein, president of the College.
Distinguished Scientist Lecture Series
The Distinguished Scientist Lecture Series originated in 1979 when Nobel laureate physicist Paul Dirac accepted an invitation from Bard professor Abe Gelbart and the Bard Center to deliver a lecture titled “The Discovery of Antimatter.” The talk presented a view of science rarely seen by the general public—as a record of personal achievement as well as a body of facts and theories.
Distinguished Scientist Lecture Series
The Distinguished Scientist Lecture Series originated in 1979 when Nobel laureate physicist Paul Dirac accepted an invitation from Bard professor Abe Gelbart and the Bard Center to deliver a lecture titled “The Discovery of Antimatter.” The talk presented a view of science rarely seen by the general public—as a record of personal achievement as well as a body of facts and theories.
Since then audiences have heard more than a hundred eminent scientists, including 45 Nobel laureates and four Fields medalists. Speakers have included Beate Liepert, pioneering climate change research scientist and artist, who discovered the phenomenon of global dimming; Nina Jablonski, author of Skin: A Natural History and a leading researcher on the evolution of human skin color; Deborah Tannen, professor of linguistics at Georgetown University and author of You Just Don’t Understand: Women and Men in Conversation; Scott Gilbert, Howard A. Schneiderman Professor of Biology at Swarthmore College; Mark A. Cane, G. Unger Vetlesen Professor of Earth and Climate Sciences and professor of applied mathematics and applied physics at Columbia University; and Henri Brunner, professor emeritus at the University of Regensburg, Germany, and a preeminent contributor to the fields of catalysis and inorganic stereochemistry.
The Bard Music Festival (BMF) celebrates its 30th season in 2019. Since 1990 the festival has been presented on the Bard campus each summer over two consecutive weekends in August. In 2003 the festival moved into The Richard B. Fisher Center for the Performing Arts at Bard College, where it continues to offer an array of programs whose themes are taken from the life, work, and world of a single composer. Concerts presented in the Fisher Center’s 800-seat Sosnoff Theater and 200-seat LUMA Theater, as well as in the 370-seat Olin Hall, offer both the intimate communication of recital and chamber music and the excitement of full orchestral and choral sound. The weeks of the festival are filled with open rehearsals throughout the campus, and orchestral musicians are often invited to perform in chamber groups. Special events are arranged to complement the performances.
Through a series of preconcert talks and panel discussions by eminent music scholars, composers are examined within the cultural and political contexts of their careers. Recent subjects have included Carlos Chávez, Franz Schubert, Igor Stravinsky, Camille Saint-Saëns, Jean Sibelius, Alban Berg, Richard Wagner, Sergey Prokofiev, Edward Elgar, Franz Liszt, Dmitrii Shostakovich, and Aaron Copland. Related articles and essays are published by Princeton University Press in a companion book edited by a major music scholar; the series was honored with an ASCAP Deems Taylor Special Recognition Award in 2006. The combination of innovative programs built around a specific theme and an outstanding level of professional musicianship has brought the festival international critical acclaim from publications such as the New York Times, Wall Street Journal, and Financial Times.
Lecture and Performance Series
The Bard College Conservatory of Music presents master classes, chamber music, and orchestra concerts by students, faculty, and guest artists. Recent Conservatory events at the Richard B. Fisher Center for the Performing Arts included performances by the Conservatory Orchestra of Mahler’s Symphony No. 3, featuring Eve Gigliotti, mezzo-soprano, the Bard College Chamber Singers, and the Bard Festival Chorale, conducted by Leon Botstein; a performance by the Conservatory Orchestra of Persephone Abducted, a world premiere by Corey Chang ’19, Dvořák's Concerto for Cello in B Minor, Op. 104, with Peter Wiley,cello, and Rimsky-Korsakov's Scheherazade, Op. 35, with guest conductor Xian Zhang; and the China Now Music Festival: Facing the Past, Looking to the Future: Chinese Composers in the 21st Century.
The John Ashbery Poetry Series, named for Bard’s distinguished Charles P. Stevenson Jr. Professor Emeritus of Languages and Literature, brings leading contemporary poets to campus for readings and discussion in an intimate setting. Recent guests have included Anselm Berrigan, Dawn Lundy Martin, Hoa Nguyen, and Alice Notley.
Hudson Valley Chamber Music Circle
Founded in 1950, the Hudson Valley Chamber Music Circle has attracted a large and loyal regional following that has enjoyed annual June performances by some of the finest classical ensembles and soloists in the world. Featured artists have included violinist Jinjoo Cho and pianist HyunSoo Kim; Les Amies; and the Kalichstein-Laredo-Robinson Trio.
Founded in 1981, Bard’s influential literary journal, Conjunctions, publishes innovative fiction, poetry, translations, essays, and interviews by contemporary masters and exciting new voices from the United States and around the world. As its slogan, “Read Dangerously,” suggests, the journal brings fearless writing to risk-taking readers. Edited by Bard professor and novelist Bradford Morrow, winner of PEN’s prestigious Nora Magid Award for excellence in editing a literary journal, Conjunctions appears biannually, in the spring and fall.
Conjunctions also publishes a Web magazine at conjunctions.com, allowing it to spotlight a single author each week and feature multimedia and electronic literature. The site also maintains an online audio vault of exclusive recordings of author readings.
In 2015, Bard celebrated its 25th year as Conjunctions publisher. Anniversary events included a special exhibition at Stevenson Library, a reading in Olin Hall by writers who are both contributors to the journal and members of the Bard faculty (Bradford Morrow, Robert Kelly, Benjamin Hale, Ann Lauterbach, Neil Gaiman, Francine Prose, and Mary Caponegro), and a Bard SummerScape reading at the Spiegeltent featuring Morrow, Prose, and Michael Cunningham.