The cast of Tom Stoppard’s Leopoldstadt directed by Carey Perloff. Foreground L-R: Brenda Meaney, Nael Nacer. Photo by Liza Voll/Courtesy of The Huntington Theatre

How Tom Stoppard’s Leopoldstadt Made Rob Brunner ’93 Confront His Family’s Holocaust History

Bard alum Rob Brunner ’93, politics and culture editor at the Washingtonian magazine, writes about how Tom Stoppard’s Tony Award–winning play Leopoldstadt—which follows the story of the Merz family, a wealthy, deeply assimilated family of Viennese Jews, from the cultural heyday of Vienna’s pre-war period, through two world wars, and their terrifying aftermath—made him finally confront his own family's tragic history.

Eddie Rodolfo Aparicio, La ceiba me salvó / The Ceiba Saved Me, 2020, cast rubber with ficus tree surface residues on found cloth; glazed stoneware; twine; and wooden support, approx. 122 × 86 × 5 3/4 in. (309.9 × 218.4 × 14.6 cm). Collection of Michael Sherman and Carrie Tivador. © Eddie Rodolfo Aparicio, image courtesy of the artist and Commonwealth and Council, Los Angeles and Mexico City. Photo by Ruben Diaz

Eddie Rodolfo Aparicio ’12 Named ARTnews 2024 Emerging Artist of the Year

Artist and Bard alumnus Eddie Rodolfo Aparicio ’12 has been recognized by ARTnews as a 2024 Emerging Artist of the Year. For his first solo museum presentation, which took place earlier this year, Aparicio was selected by the Museum of Contemporary Art in Los Angeles to take over part of its sprawling Geffen Contemporary location for the relaunch of its “MOCA Focus” exhibition series, which featured works he made between 2016 and 2023 alongside three site-specific commissions.

Suzanne Kite MFA ’18, director of the Wihanble S’a Center for Indigenous AI.

Suzanne Kite MFA ’18 Interviewed for NBC News

Suzanne Kite MFA ’18, aka Kite, distinguished artist in residence, assistant professor of American and Indigenous Studies, and director of the Wihanble S’a Center for Indigenous AI at Bard, was interviewed by News10 NBC for an article about how Indigenous engineers and artists are using artificial intelligence for cultural preservation projects. “My question is simple: How do we create ethical art with AI by applying Indigenous ontologies?” Kite said. “I try to resist Western personification of AI and instead dig into the hyperlocal, grounded and practical frameworks of knowledge that American Indigenous communities provide.”

Ribbon-cutting for the Stevenson Library's new geothermal and HVAC system. Photo by Joseph Nartey ’26

Stevenson Library Converts to Geothermal Heating and Cooling

Bard celebrates the completion of a major project to convert the Charles P. Stevenson Jr. Library’s outdated fossil fuel–fired heating system to a state-of-the-art geothermal heating and cooling system. A leader and early adopter of geothermal technologies, Bard College has ground source heat exchange systems on campus dating to the 1980s. Almost 50% of buildings on the main campus utilize geothermal technology for heating and cooling, and it is the default for all new construction projects on campus.

Maestro Leon Botstein conducts the Bard College Conservatory Orchestra. Photo by Karl Rabe

Bard Conservatory Orchestra Presents Concert with Maestro Leon Botstein on December 14

Featuring soloists from the Bard Graduate Vocal Arts Program and conducted by Leon Botstein, the concert program includes Franz Schubert’s Symphony No. 8 in B Minor “Unfinished”; Felix Mendelssohn-Bartholdy’s Psalm 42, Op. 42, Wie der Hirsch schreit (As the hart cries out); and Dmitri Shostakovich’s Symphony No. 10 in E minor, Op. 93. The performance will be held on Saturday, December 14, at 7 pm in the Fisher Center’s Sosnoff Theater.