The Fisher Center at Bard Presents the World Premiere of Elevator Repair Service’s Ulysses, Which Brings the Epic James Joyce Novel to Wild Theatrical Life, September 21–October 1

The Fisher Center at Bard continues its 20th Anniversary Season: Breaking Ground with the world premiere of Ulysses, from Elevator Repair Service, which the New York Times has called “one of New York City’s few truly essential theater companies,” September 21 – October 1 (opening Sunday, September 24). 

James Joyce’s Ulysses has fascinated, perplexed, scandalized, and/or defeated readers for over a century. ERS takes on this Mount Everest of twentieth-century literature having staged modernist works including Fitzgerald’s The Great Gatsby, Faulkner’s The Sound and the Fury, and Hemingway’s The Sun Also Rises—all with highly acclaimed results.

In the world premiere at the Fisher Center, seven ERS ensemble members—Dee Beasnael (7 Daughters of Eve), OBIE Award-winner Kate Benson (Fondly, Collette Richland), Maggie Hoffman (founding member, Radiohole), Vin Knight (Gatz, The Select (The Sun Also Rises), The Sound and the Fury, and more with ERS), OBIE Award-winner Scott Shepherd (Gatz, The Wooster Group), Christopher-Rashee Stevenson (Baldwin and Buckley at Cambridge), and Stephanie Weeks (The Whitney Album)—sit down for a sober reading but soon find themselves guzzling pints, getting in brawls, and committing debaucheries as they careen on a fast-forward tour through Joyce’s funhouse of styles. With madcap antics and a densely layered sound design, ERS presents an eclectic sampling from Joyce’s life-affirming masterpiece.

Ulysses is directed by ERS Artistic Director John Collins, with co-direction and dramaturgy by Scott Shepherd and text by James Joyce. The production features set design by dots (The Sign in Sidney Brustein’s Window, Public Obscenities), costume design by Enver Chakartash (A Doll's House, Is This A Room on Broadway) and Assistant Costume Designer Caleb Krieg, lighting design by Marika Kent (ERS’s Seagull) and Assistant Lighting Designer Matt Lazarus, sound design by OBIE Award-winner Ben Williams (The Whitney Album), sound engineering by Gavin Price, projections by Matthew Deinhart (El Amor Brujo, ANIMUS ANIMA//ANIMA ANIMUS) and Assistant Projections Designer Alessandra Cronin, and props by Patrícia Marjorie (Wolf Play, Flex) and Assistant Properties Designer Ned Gaynor. Maurina Lioce (Fondly, Collette Richland; Baldwin and Buckley at Cambridge) is the Assistant Director and Stage Manager, and Jack Ganguly is the Assistant Stage Manager. Hanna Novak of ERS is the producer.  

Ulysses is a Fisher Center LAB commission and is co-commissioned by Symphony Space, where the work was partly developed. Daphne Gaines, April Matthis, and Mark Barton contributed to the development of the work.

Performance Schedule and Ticketing

Performances of Ulysses take place in the LUMA Theater at the Fisher Center:
Thursday, September 21, at 8pm
Friday, September 22, at 8pm
Saturday, September 23, at 8pm
Sunday, September 24, at 3pm
Thursday, September 28, at 8pm
Friday, September 29, at 8pm
Saturday, September 30, at 2pm
Saturday, September 30, at 8pm
Sunday, October 1, at 3pm

Critics are welcome as of Saturday, September 23, at 8 pm for an official opening on Sunday, September 24, at 3 pm.

Tickets start at $25 ($5 for Bard students through the Passloff Pass) and can be purchased here. 

Credits
The Fisher Center’s 20th Anniversary Season is dedicated to the founders of the Fisher Center who have cultivated extraordinary artistic experiences—past, present, and future. We honor the memory of Richard B. Fisher, a true champion of the arts and Bard College, and his visionary leadership. 
The Fisher Center is generously supported by Jeanne Donovan Fisher, the Martin and Toni Sosnoff Foundation, Felicitas S. Thorne, the Advisory Boards of the Fisher Center at Bard and Bard Music Festival, Fisher Center and Bard Music Festival members, the Ettinger Foundation, the Thendara Foundation, and the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature. Fisher Center LAB has received funding from members of the Live Arts Bard Creative Council, the Lucille Lortel Foundation, and the Fisher Center’s Artistic Innovation Fund, with lead support from Rebecca Gold and S. Asher Gelman ’06 through the March Forth Foundation.


About Elevator Repair Service
Elevator Repair Service (ERS) is a New York City-based company that creates original works for live theater with an ongoing ensemble. The company’s shows are created from a wide range of texts that include found transcripts of trials and debates, literature, classical dramas, and new plays. Founded in 1991, ERS has created an extensive body of work that includes upwards of 20 original pieces. These have earned the company a loyal following and made it one of New York’s most highly acclaimed experimental theater companies. The company is best known for Gatz, its award-winning verbatim staging of the entire text of The Great Gatsby. ERS has received numerous awards and distinctions, including Lortel awards, a Bessie award, and an OBIE award for Sustained Excellence, as well as a Guggenheim Fellowship and Doris Duke Performing Artist Award for Artistic Director John Collins.

About John Collins (Director) 
John Collins founded Elevator Repair Service in 1991. Since then he has directed or co-directed all of the company’s productions while also serving as the company’s Artistic Director. ERS productions directed by Collins include Cab Legs, Room Tone, Gatz, The Select (The Sun Also Rises), The Sound and the Fury, Arguendo, Measure for Measure, and numerous others. The company’s work, under his direction, has been seen in over a dozen countries as well as in cities across the U.S. John is an experienced sound designer and has worked for The Wooster Group, Richard Foreman, Target Margin Theater, and others. Recent projects include Baldwin and Buckley at Cambridge, and a new adaptation of Chekhov’s The Seagull. He is the recipient of a Guggenheim Fellowship, a United States Artists Fellowship, and a Doris Duke Performing Artist Award.

About Scott Shepherd (Co-Direction and Dramaturgy)
In Scott Shepherd’s first ERS show, McGurk: A Cautionary Tale (1994), he slept on a radiator for 20 minutes. In Total Fictional Lie, he wore a fake mustache as eyebrows and ate lit matches. In Gatz, he read a novel out loud. Other ERS shows include Measure for Measure, No Great Society, Cab Legs, and Shut Up I Tell You. He has worked with The Wooster Group since 1997, playing Hamlet in Hamlet and other roles in The Town Hall Affair; Vieux Carré; Poor Theater; To You, The Birdie (Phèdre); and Brace Up!, among others. He has received two Obie Awards, for Gatz and Poor Theater. His screen appearances include Killers of the Flower Moon, The Last of Us, First Cow, El Camino, X-Men: Dark Phoenix, True Detective, The Young Pope, Jason Bourne, and Bridge of Spies.

About the Fisher Center at Bard
The Fisher Center develops, produces, and presents performing arts across disciplines through new productions and context-rich programs that challenge and inspire. As a premier professional performing arts center and a hub for research and education, the Fisher Center supports artists, students, and audiences in the development and examination of artistic ideas, offering perspectives from the past and present as well as visions of the future. The Fisher Center demonstrates Bard’s commitment to the performing arts as a cultural and educational necessity. Home is the Fisher Center for the Performing Arts, designed by Frank Gehry and located on the campus of Bard College in New York’s Hudson Valley. The Fisher Center offers outstanding programs to many communities, including the students and faculty of Bard College, and audiences in the Hudson Valley, New York City, across the country, and around the world. Building on a 163-year history as a competitive and innovative undergraduate institution, Bard is committed to enriching culture, public life, and democratic discourse by training tomorrow’s thought leaders.

The Center presents more than 200 world-class events and welcomes 50,000 visitors each year. The Fisher Center supports artists at all stages of their careers and employs more than 300 professional artists annually. The Fisher Center is a powerful catalyst for art-making regionally, nationally, and worldwide. Every year it produces 8 to 10 major new works in various disciplines. Over the past five years, its commissioned productions have been seen in more than 100 communities around the world. During the 2018–2019 season, six Fisher Center productions toured nationally and internationally. In 2019, the Fisher Center won the Tony Award for Best Revival of a Musical for Daniel Fish’s production of Oklahoma!, which began its life in 2007 as an undergraduate production at Bard and was produced professionally in the Fisher Center’s SummerScape Festival in 2015 before transferring to New York City.

Fishercenter.bard.edu
Facebook.com/fishercenterbard
Instagram.com/fishercenterbard
Twitter.com/fisherctrbard
Youtube.com/fishercenterbard
Spotify.com/bardfisher
  
For more information, please contact Blake Zidell of Blake Zidell & Associates at [email protected] or 917.572.2943. 

This event was last updated on 09-13-2023

Back to Top