Past Programs

CMIA - Je t'aime, je t'aime

• Je t'aime, je t'aime
  (Alain Resnais, 1968, France, 92 minutes, 35mm)
  *New print

CMIA - Day of Wrath

• Day of Wrath
  (Carl Theodor Dreyer, 1943, Denmark, 110 minutes, 35mm)
  *Restored print

CMIA - The Films of Alfred Hitchcock

• Foreign Correspondent
  (Alfred Hitchcock, 1940, USA, 120 minutes, 35mm)
  *Archival print courtesy BFI National Archive

CMIA - Also like Life:  the Films of Hou Hsiao-hsien

• Chungking Express
  (Wong Kar-wai, 1994, Hong Kong, 96 minutes, 35mm)
  *New print
• I Wish I Knew
  (Jia Zhangke, 2010, China, 125 minutes, 35mm)

CMIA - Technicolor Program

• Samson and Delilah
  (Cecil B. DeMille, 1949, USA, 131 minutes, 35mm)
  *Restored print
• Fantasia
  (Walt Disney et al., 1940, USA, 125 minutes, 35mm)

CMIA - Also like Life:  the Films of Hou Hsiao-hsien

• Floating Clouds
  (Mikio Naruse, 1955, Japan, 123 minutes, 35mm)
• Amarcord
  (Federico Fellini, 1973, Italy/France, 123 minutes, 35mm)

CMIA - Also like Life:  the Films of Hou Hsiao-hsien

• Boy
  (Nagisa Oshima, 1969, Japan, 97 minutes, 35mm)
  *New print
• The Man Who Left His Will on Film
  (Nagisa Oshima, 1970, Japan, 94 minutes, 35mm)
  *New print

CMIA - The Films of Alfred Hitchcock

• Young and Innocent
  (Alfred Hitchcock, UK, 83 minutes, 35mm)

CMIA - Remembering the Great War

• Jules and Jim
  (François Truffaut, France, 105 minutes, 35mm)

CMIA - Celebrating American Film Archives

• Stagecoach
  (John Ford, 1939, USA, 96 minutes, 35mm)
  *Restored 35mm print courtesy of the UCLA Film & Television Archive

CMIA - Also like Life:  the Films of Hou Hsiao-hsien

• Raise the Red Lantern
  (Zhang Yimou, 1991, China/Hong Kong/Taiwan, 125 minutes, 35mm)
• Springtime in a Small Town
  (Tian Zhuangzhuang, 2002, China/Hong Kong/France/Netherlands, 116 minutes, 35mm)

CMIA - Also like Life:  the Films of Hou Hsiao-hsien

• 3:00 PM - The Green, Green Grass of Home
  (Hou Hsiao-hsien, 1982, Taiwan, 91 minutes, 16mm)
• 7:00 PM - A Story of Floating Weeds
  (Yasujiro Ozu, 1934, Japan, 118 minutes, 35mm)
• Sisters of the Gion
  (Kenji Mizoguchi, 1936, Japan, 95 minutes, 35mm)

CMIA - Also like Life:  the Films of Hou Hsiao-hsien

• The Electric Princess Picture House [Two versions]
  (Hou Hsiao-hsien, 2007, France/Taiwan, 4 minutes and 3 minutes, DVD)
• Mouchette
  (Robert Bresson, 1967, France, 78 minutes, 35mm)
• A Borrowed Life
  (Wu Nien-jen, 1994, Taiwan, 167 minutes, 35mm)

CMIA - Also like Life:  the Films of Hou Hsiao-hsien

• Cheerful Wind
  (Hou Hsiao-hsien, 1981, Taiwan, 90 minutes, 35mm)
• Growing Up
  (Chen Kun-hou, 1983, Taiwan, 100 minutes, 35mm)

CMIA - Classical Hollywood Comedy

• Trouble in Paradise
  (Ernst Lubitsch, 1932, USA, 83 minutes, 35mm)

CMIA - Celebrating American Film Archives

• The Wedding March
  (Erich von Stroheim, 1928, USA, 115 minutes, 35mm)
  *Archival print courtesy the Library of Congress

CMIA - Also like Life:  the Films of Hou Hsiao-hsien

• Cute Girl
  (Hou Hsiao-hsien, 1980, Taiwan, 90 minutes, 35mm)
• Millennium Mambo
  (Hou Hsiao-hsien, 2001, Taiwan/France, 105 minutes, 35mm)

CMIA - Classical Hollywood Comedy

• It Happened One NIght
  (Frank Capra, 1934, USA, 105 minutes, 35mm)
• Twentieth Century
  (Howard Hawks, 1934, USA, 91 minutes, 35mm)

CMIA - Also like Life:  the Films of Hou Hsiao-hsien

• Café Lumière
  (Hou Hsiao-hsien, 2003, Japan/Taiwan, 103 minutes, 35mm)
• Flight of the Red Balloon
  (Hou Hsiao-hsien, 2007, France/Taiwan, 115 minutes, 35mm)

CMIA - The Films of Alfred Hitchcock

• Rich and Strange
  (Alfred Hitchcock, 1931, UK, 83 minutes, 35mm)
• The Skin Game
  (Alfred Hitchcock, 1931, UK, 77 minutes, 35mm)

CMIA - The Films of Alfred Hitchcock

• Murder!
  (Alfred Hitchcock, 1930, UK, 92 minutes, 35mm)

CMIA - Remembering the Great War

• All Quiet on the Western Front
  (Lewis Milestone, USA, 135 minutes, 35mm)
  *Restored print

CMIA - Also like Life:  the Films of Hou Hsiao-hsien

• Late Spring
  (Yasujiro Ozu, 1949, Japan, 108 minutes, 35mm)
• Tokyo Story
  (Yasujiro Ozu, 1953, Japan, 136 minutes, 35mm)

CMIA - Also like Life:  the Films of Hou Hsiao-hsien

• The Godfather
  (Francis Ford Coppola, 1972, USA, 175 minutes, 35mm)
  *Restored print

CMIA - Remembering the Great War

• Wings
  (William Wellman, 1927, USA, 144 minutes, 35mm)
  *Restored print
• Life and Nothing But
  (Bertrand Tavernier, 1989, France, 135 minutes, 35mm)
  *Archival print courtesy Institut français

CMIA - Also like Life:  the Films of Hou Hsiao-hsien/Remembering the Great War

• Les Destinées sentimentales
  (Olivier Assayas, 2000, France, 180 minutes, 35mm)
  *Archival print courtesy Institut français
• HHH:  A Portrait of Hou Hsiao-hsien
  (Olivier Assayas, 2000, France/Taiwan, 91 minutes, DVD)

CMIA - Soviet Montage

• Battleship Potemkin
  (Sergei Eisenstein, 1925, USSR, 66 minutes, 35mm)
  *Restored print
• Earth
  (Aleksandr Dovzhenko, 1930, USSR, 75 minutes, 35mm)

CMIA - Also like Life:  the Films of Hou Hsiao-hsien

• Flowers of Shanghai
  (Hou Hsiao-hsien, 1998, Taiwan/Japan, 113 minutes, 35mm)
  *New print
• Three Times
  (Hou Hsiao-hsien, 2005, Taiwan/France, 135 minutes, 35mm)

CMIA - Cinematic Romanticisms

• Nosferatu
  (F.W. Murnau, 1922, Germany, 80 minutes, 35mm)
  *Restored print
• Nosferatu the Vampyre
  (Werner Herzog, 1979, West Germany/France, 107 minutes, 35mm)
  *New print

CMIA - Also like Life:  the Films of Hou Hsiao-hsien

• Good Men, Good Women
  (Hou Hsiao-hsien, 1995, Taiwan/Japan, 110 minutes, 35mm)
  *New print
• Goodbye South, Goodbye
  (Hou Hsiao-hsien, 1996, Taiwan/Japan, 112 minutes, 35mm)

CMIA - Also like Life:  the Films of Hou Hsiao-hsien

• Taipei Story
  (Edward Yang, 1985, Taiwan, 110 minutes, 35mm)
• Daughter of the Nile
  (Hou Hsiao-hsien, 1987, Taiwan, 96 minutes, 35mm)

CMIA - Remembering the Great War (Silent Films with Live Piano Accompaniment)

• Shoulder Arms
  (Charles Chaplin, 1918, USA, 35 minutes, 35mm)
• The Big Parade
  (King Vidor, 1925, USA, 151 minutes, 35mm)
  *Restored tinted print from the collection of George Eastman House

CMIA - Also like Life:  the Films of Hou Hsiao-hsien

• The Puppetmaster
  (Hou Hsiao-hsien, 1993, Taiwan, 142 minutes, 35mm)
• La Belle Epoque
  (Hou Hsiao-hsien, 2011, Taiwan, 5 minutes, DVD)
• A Summer at Grandpa's
  (Hou Hsiao-hsien, 1984, Taiwan, 98 minutes, 35mm)

CMIA - Bard Filmmakers Screening (Filmmakers in Attendance)

• Night Moves (Kelly Reichardt, 2013, 112 minutes, Blu-ray)
• Being Bodies (Ephraim Asili, 2014, 11 minutes, 16mm)

CMIA - Also like Life:  the Films of Hou Hsiao-hsien

• A Time to Live and a Time to Die
  (Hou Hsiao-hsien, 1985, Taiwan, 136 minutes, 35mm)
• The Sandwich Man
  (Hou Hsiao-hsien, Wan Jen, and Tseng Chuang-hsiang, 1983, Taiwan, 105 minutes, 35mm)

CMIA - Robert Gardner Memorial Screening

• Forest of Bliss
  (Robert Gardner, 1986, USA, 90 minutes, 35mm)
  
  • Organized in partnership with Bard's Film and Electronic Arts and Anthropology Programs
  • Introduced by Bard Film Professor Peter Hutton

CMIA - Also like Life:  the Films of Hou Hsiao-hsien

• A City of Sadness
  (Hou Hsiao-hsien, 1989, Taiwan, 158 minutes, 35mm)

CMIA - Also like Life:  the Films of Hou Hsiao-hsien

• Dust in the Wind
  (Hou Hsiao-hsien, 1986, Taiwan, 110 minutes, 35mm)
• The Boys from Fengkuei
  (Hou Hsiao-hsien, 1983, Taiwan, 99 minutes, 35mm)

CMIA - Tournées Festival

• Inspector Bellamy
  (Claude Chabrol, 2009, France, 110 minutes, 35mm)
• Almayer’s Folly
  (Chantal Akerman, 2011, Belgium/France, 127 minutes, 35mm)

CMIA - The Films of Josef von Sternberg

• That Obscure Object of Desire
  (Luis Buñuel, 1977, France/Spain, 102 minutes, 35mm)
• 2046
  (Wong Kar-wai, 2004, Hong Kong/China/France/Italy/Germany, 129 minutes, 35mm)

CMIA - Tournées Festival

• Amour
  (Michael Haneke, 2012, France/Germany/Austria, 127 minutes, 35mm)

• The World
  (Jia Zhang-ke, 2004, China/Japan/France, 143 minutes, 35mm)

CMIA - The Films of Alfred Hitchcock and Michael Powell

• Marnie
  (Alfred Hitchcock, 1964, USA, 130 minutes, 35mm)
• Age of Consent
  (Michael Powell, 1969, Australia, 98 minutes, 35mm)
  *Restored Print

CMIA - Discussion with Cinematographer Darius Khondji

CMIA - Barry Lyndon

CMIA - The Films of Alfred Hitchcock and Michael Powell

• Psycho
  (Alfred Hitchcock, 1960, USA, 109 minutes, 35mm)
• Peeping Tom
  (Michael Powell, 1960, UK, 100 minutes, 35mm)

CMIA - The Films of Alfred Hitchcock

• Sabotage
  (Alfred Hitchcock, 1936, UK, 76 minutes, 35mm)
• Secret Agent
  (Alfred Hitchcock, 1936, UK, 86 minutes, 35mm)
  *Print courtesy of the British Film Institute National Archive

CMIA - The Films of Michael Powell

• A Matter of Life and Death
  (Michael Powell and Emeric Pressburger, UK, 1945, 104 minutes, 35mm)
  *Restored Print
• Black Narcissus
  (Michael Powell and Emeric Pressburger, UK, 1947, 100 minutes, 35mm)              
  *Restored Print

CMIA - Special Animation Program

CMIA - L'Avventura (New 35mm Print)

CMIA - The Films of Michael Powell

• A Canterbury Tale
  (Michael Powell and Emeric Pressburger, UK, 1944, 125 minutes, 35mm)
• I Know where I’m Going
  (Michael Powell and Emeric Pressburger, UK, 1945, 92 minutes, 35mm)

CMIA - Newspaper Films

CMIA - The Films of Josef von Sternberg

CMIA - Tournées Festival

• La Danse
  (Frederick Wiseman, 2009, USA/France, 158 minutes, 35mm)

• Dead Birds
  (Robert Gardner, 1963, USA, 85 minutes, 35mm)

CMIA - The Films of Alfred Hitchcock

• The Thirty-Nine Steps
  (Alfred Hitchcock, 1935, UK, 86 minutes, 35mm)
• The Lady Vanishes
  (Alfred Hitchcock, 1938, UK, 96 minutes, 35mm)

CMIA - The Films of Alfred Hitchcock

• Under Capricorn
  (Alfred Hitchcock, 1949, UK, 117 minutes, 35mm)
  *Print courtesy of the ConstellationCenter Collection at the Academy Film Archive
• Suspicion
  (Alfred Hitchcock, 1941, USA, 99 minutes, 35mm)
  *Preserved by the Library of Congress with funding provided by The Film Foundation

CMIA - Special CinemaScope Presentation

CMIA - The Films of Josef von Sternberg

• Hell’s Angels
  (Howard Hughes, 1930, USA, 127 minutes, 35mm)
  *Studio vault print with Technicolor sequence
• Jet Pilot
  (Josef von Sternberg, 1957, USA, 112 minutes, 35mm)
  *Studio vault print

CMIA - Newspaper Films

• Newspaper shorts by Michelangelo Antonioni
  (1956, Italy, ~10 minutes, 35mm)
• The Whole Town’s Talking
  (John Ford, 1935, USA, 90 minutes, 35mm)
• Macao
  (Josef von Sternberg and Nicholas Ray, 1952, USA, 81 minutes, 35mm)

CMIA - Public Discussion with Bertrand Tavernier

• Organized in partnership with the Cultural Services of the French Embassy
• Co-sponsored by the Bard French Studies Program

CMIA - Betrand Tavernier Screening

• Platinum Blonde
  (Frank Capra, 1931, USA, 90 minutes, 35mm)
  *Restored print
• Wild River
  (Elia Kazan, 1960, USA, 110 minutes, 35mm)
  *Restored by the Academy Film Archive and 20th Century Fox with funding from The Film Foundation

CMIA - The Films of Josef von Sternberg

CMIA - Wendy and Lucy Screening (Filmmaker in Attendance)

• Wendy and Lucy
  (Kelly Reichardt, 2008, USA, 80 minutes, 35mm)
  *Organized in partnership with The Big Read, a program of the National Endowment for the Arts, and the Hannah Arendt Center for Politics and Humanities

CMIA - Betrand Tavernier Screening

• 'Round Midnight
  (Bertrand Tavernier, 1986, USA/France, 133 minutes, 35mm)
  *Archival print
• Coup de Torchon
  (Bertrand Tavernier, 1981, France, 128 minutes, 35mm)
  *Print courtesy of the Institut français

CMIA - Technicolor Screening

• Leave Her to Heaven
  (John Stahl, 1945, USA, 110 minutes, 35mm)
  *Restored by the Academy Film Archive and Twentieth Century Fox with funding provided by The Film Foundation
• To Catch a Thief
  (Alfred Hitchcock, 1955, USA, 106 minutes, 35mm)

CMIA - The Films of Josef von Sternberg

• Shanghai Express
  (Josef von Sternberg, 1932, USA, 82 minutes, 35mm)
  *Studio vault print
• The Scarlett Empress
  (Josef von Sternberg, 1934, USA, 104 minutes, 35mm)
  *Studio vault print

CMIA - The Films of Josef von Sternberg

• Thunderbolt
  (Josef von Sternberg, 1929, USA, 92 minutes, 35mm)
  *Studio vault print
• An American Tragedy
  (Josef von Sternberg, 1931, USA, 95 minutes, 35mm)
  *Studio vault print

CMIA - Nicholas Ray Screening Series (Special Guest Susan Ray)

• They Live by Night
  (Nicholas Ray, 1948, USA, 95 minutes, 35mm)
  *Restored by Warner Bros. in association with The Film Foundation and the Nicholas Ray Foundation
• The Lusty Men
  (Nicholas Ray, 1950, USA,113 minutes, 35mm)
  *Restored by Warner Bros. in collaboration with The Film Foundation and the Nicholas Ray Foundation

CMIA - The Films of Josef von Sternberg

• Morocco
  (Josef von Sternberg, 1930, USA, 91 minutes, 35mm)
  *Studio vault print
• The Devil is a Woman
  (Josef von Sternberg, 1935, USA, 79 minutes, 35mm)
  *Studio vault print

CMIA Launch Celebration

• Une catastrophe
  (Jean-Luc Godard, 2008, France/Austria, 1 minute, 35mm)
  *New print
• Visions in Meditation #1
  (Stan Brakhage, 1989, USA, 16 minutes, 16mm)
  *New print
• Minnie the Moocher
  (Dave Fleischer, 1932, USA, 8 minutes, 35mm)
  *New print
• In Titan’s Goblet
  (Peter Hutton, 1991, USA, 10 minutes, 16mm)
• Beirut Outtakes
  (Peggy Ahwesh, 2007, USA, 7 minutes, Blu-ray)
• In a Lonely Place
  (Nicholas Ray, 1950, USA, 94 minutes, 35mm)
  *Restored print

• In the Mood for Love
  (Wong Kar-wai, 2000, Hong Kong/France, 98 minutes, 35mm)

CMIA - Newspaper Films

• City Streets
  (Rouben Mamoulian, 1931, USA, 81 minutes, 35mm)
  *Studio vault print
• His Girl Friday
  (Howard Hawks, 1940, USA, 112 minutes, 35mm)

CMIA - The Films of Josef von Sternberg (Silent Films with Live Music)

• Salvation Hunters
  (Josef von Sternberg, 1925, USA, 79 minutes, 35mm)
  *Restored 35mm print courtesy of the UCLA Film & Television Archive
• Underworld
  (Josef von Sternberg, 1927, USA, 97 minutes, 35mm)
  *Studio vault print

CMIA - The Films of Josef von Sternberg (Silent Films with Live Music)

• Docks of New York
  (Josef von Sternberg, 1928, USA, 75 minutes, 35mm)
  *Restored 35mm print courtesy of the UCLA Film & Television Archive
• The Last Command
  (Josef von Sternberg, 1928, USA, 90 minutes, 35mm)
  *Studio vault print

CMIA - The Films of Alfred Hitchcock

• Vertigo
  (Alfred Hitchcock, 1958, USA, 128 minutes, 35mm

CMIA - The Films of Alfred Hitchcock

• Notorious
  (Alfred Hitchcock, 1946, USA, 101 minutes, 35mm)
• The Clockmaker of St. Paul
  (Bertrand Tavernier, 1974, France, 105 minutes, 35mm)
  *Print courtesy of the Institut français

CMIA - Sunrise

• The New York Hat
  (D.W. Griffith, 1912, USA, 16 minutes, 16mm)
• Sunrise
  (F.W. Murnau, 1927, USA, 92 minutes, 35mm)
  *Restored Print

CMIA - The Films of Alfred Hitchcock

• Strangers on a Train
  (Alfred Hitchcock, 1951, USA, 101 minutes, 35mm)
• Saboteur
  (Alfred Hitchock, 1942, USA, 109 minutes, 35mm)
  *Studio vault print

CMIA - The Films of Alfred Hitchcock

CMIA - The Films of Alfred Hitchcock