Past Programs

CMIA - Color

• Casino
  (Martin Scorsese, 1995, USA, 178 minutes, 35mm)

CMIA - Color

• The Aviator
  (Martin Scorsese, 2004, USA, 174 minutes, 35mm)

CMIA - Color

• The Band Concert (Walt Disney, 1935, USA, 7 minutes, 16mm)
• Circles (Oskar Fischinger, 1933, Germany, 3 minutes, 16mm)
• Composition in Blue (Oskar Fischinger, 1935, Germany, 3 minutes, 16mm)
• Allegretto (Oskar Fischinger, 1936, USA, 3 minutes, 16mm)
• An American March (Oskar Fischinger, 1941, USA, 3 minutes, 16mm)
• A Colour Box (Len Lye, 1935, UK, 3 minutes, 16mm)
• Rainbow Dance (Len Lye, 1936, UK, 4 minutes, 16mm)
• Swinging the Lambeth Walk (Len Lye, 1940, UK, 4 minutes, 16mm)

CMIA - Color

• Blow-Up
  (Michelangelo Antonioni, 1966, UK/Italy, 111 minutes, 35mm)
• The Passenger
  (Michelangelo Antonioni, 1975, Italy/Spain/France, 119 minutes, 35mm)

CMIA - Color

• The Godfather, Part III
  (Francis Ford Coppola, 1990, USA, 170 minutes, 35mm)

CMIA - Color

• The Godfather, Part II
  (Francis Ford Coppola, 1974, USA, 200 minutes, 35mm)

CMIA - Bodies in Space: A Conversation with Albert Serra

• The Story of My Death
  (Albert Serra, 2014, Spain/France, 148 minutes, 35mm)

CMIA - Color

• The Toll of the Sea
  (Chester Franklin, 1922, USA, 54 minutes, 16mm)
• Black Narcissus
  (Michael Powell and Emeric Pressburger, 1947, UK, 100 minutes, 35mm)
• The River
  (Jean Renoir, 1951, France/UK/India, 99 minutes, 35mm)

CMIA - Color

• À nos amours
  
  (Maurice Pialat, 1983, France, 95 minutes, 35mm)
  *Archival print courtesy Institut français
• La Gueule ouverte
  
  (Maurice Pialat, 1974, France, 82 minutes, 35mm)
  *Archival print courtesy Institut français

CMIA - Discussion with Visiting Filmmaker Ashish Avikunthak

• Preceded by screening on November 4th
  

CMIA - Retrospective of Visiting Filmmaker Ashish Avikunthak

• Program of 35mm, 16mm, and Digital works by Ashish Avikunthak (Filmmaker in Attendance)

CMIA - Color

• Under the Sun of Satan
  (Maurice Pialat, 1987, France, 97 minutes, 35mm)
  *Archival print courtesy Institut français
• Bird
  (Clint Eastwood, 1988, USA, 161 minutes, 35mm)

CMIA - Bard Student Film Collective (Inaugural Event)

• Screenings of Films by Bard Student Filmmakers (Filmmakers in Attendance)

CMIA - The Look of Silence (Discussion with Director Joshua Oppenheimer)

• The Look of Silence
  (Joshua Oppenheimer, 2014, Denmark/Indonesia/UK, 103 minutes)

CMIA - Color

• Van Gogh
  (Maurice Pialat, 1991, France, 158 minutes, 35mm)
  *Archival print courtesy Institut français
• Police
  (Maurice Pialat, 1985, France, 113 minutes, 35mm)
  *Archival print courtesy Institut français

CMIA - Color

• Blue Velvet
  (David Lynch, 1986, USA, 120 minutes, 35mm)
• Beyond Rangoon
  (John Boorman, 1995, USA, 100 minutes, 35mm)

CMIA - Color

• An American in Paris
  (Vincente Minnelli, 1951, USA, 113 minutes, 35mm)
• The Band Wagon
  (Vincente Minnelli, 1953, USA, 112 minutes, 35mm)

CMIA - Jean Epstein (Program 3)

• Les Berceaux
  (1932, 6 minutes, Archival print courtesy the Cinémathèque française)
• Le Tempestaire
  (1947, 22 minutes, Restoration print courtesy the Cinémathèque française)
• Cœur de gueux
  (1936, 73 minutes, Archival print courtesy the Cinémathèque française)
• Les Bâtisseurs
  (1938, 54 minutes, Archival print courtesy the Centre national du cinéma et de l'image animée, CNC)

CMIA - Jean Epstein (Program 2)

• La Chanson des peupliers
  (1931, 6 minutes, Archival print courtesy the Centre national du cinéma et de l'image animée, CNC)
• Les Aventures de Robert Macaire
  (1925, 200 minutes, Restoration print courtesy the Cinémathèque française)

CMIA - Jean Epstein (Program 1)

• Part 1
  • La Glace à trois faces
    (1927, 38 minutes)
  • Sa tête
    (1929, 36 minutes)
  • The Fall of the House of Usher
    (1928, 66 minutes)
• Part 2
  
  • Mor'vran
    (1929-1930, 26 minutes)
  • Six et demi onze
    (1927, 73 minutes)

CMIA - Color

• The Umbrellas of Cherbourg
  (Jacques Demy, 1964, France, 91 minutes, 35mm)
• Moses and Aaron
  (Jean-Marie Straub and Danièle Huillet, 1975, West Germany/Austria/France/Italy, 107 minutes, 16mm)

CMIA - Color

• The Ten Commandments
  (Cecil B. DeMille, 1956, USA, 220 minutes, 35mm)

CMIA - Color

• Bigger than Life
  (Nicholas Ray, 1956, USA, 95 minutes, 35mm)
• Written on the Wind
  (Douglas Sirk, 1956, USA, 99 minutes, 35mm)

CMIA - New Currents in the 2000s

• A Talking Picture
  (Manoel de Oliveira, 2003, Portugal/France/Italy, 96 minutes, 35mm)

CMIA - New Currents in the 1990s

CMIA - Cinematic Romanticisms

• Melancholia
  (Lars von Trier, 2011, Denmark/Sweden/France/Germany, 130 minutes, 35mm)
• To the Wonder
  (Terrence Malick, 2012, USA, 110 minutes, 35mm)

CMIA - Modernist Cinemas

CMIA - Cinematic Romanticisms

• The Double Life of Veronique
  (Krzysztof Kieslowski, 1991, France/Poland/Norway, 98 minutes, 35mm)
• In Praise of Love
  (Jean-Luc Godard, 2001, France/Switzerland, 97 minutes, 35mm)

CMIA - Cinematic Romanticisms

• Andrei Rublev
  (Andrei Tarkovsky, 1966/1969, USSR, 185 minutes, 35mm)

CMIA - Cinematic Romanticisms

• The Sacrifice
  (Andrei Tarkovsky, 1986, Sweden/UK/France, 142 minutes, 35mm)
  *New print
• Keep Your Right Up
  (Jean-Luc Godard, 1987, France/Switzerland, 82 minutes, 35mm)

CMIA - Cinematic Romanticisms

• Notre musique
  (Jean-Luc Godard, 2004, France/Switzerland, 80 minutes, 35mm)

CMIA - New American Cinema

• Shadows
  (John Cassavetes, 1959, USA, 81 minutes, 35mm)
• Mean Streets
  (Martin Scorsese, 1973, USA, 112 minutes, 35mm)

CMIA - Cinematic Romanticisms

• Stan Brakhage program
  
  • Chinese Series (2003, 3 minutes, 35mm)
  • Western History (1972, 8 minutes, 16mm)
  • The Dante Quartet (1987, 7 minutes, 35mm)
  • Creation (1979, 17 minutes, 16mm)
  • Interpolations 1-5 (1992, 15 minutes, 35mm)
  • The Garden of Earthly Delights (1981, 2 minutes, 35mm)
• Mother and Son
  (Aleksandr Sokurov, 1997, Russia, 73 minutes, 35mm)
• Faust
  (F.W. Murnau, 1926, Germany, 90 minutes, 35mm)

CMIA - Cinematic Romanticisms

CMIA - Cinematic Romanticisms

• Liebelei
  (Max Ophüls, 1933, Germany, 88 minutes, 35mm)
  *Archival print courtesy Academy of Motion Picture Arts and Sciences
• Germany Year 90 Nine Zero
  (Jean-Luc Godard, 1991, France, 62 minutes, 35mm)
• Lessons of Darkness
  (Werner Herzog, 1992, West Germany, 50 minutes)

CMIA - Cinematic Romanticisms

• Opération béton
  (Jean-Luc Godard, 1955, Switzerland, 20 minutes, 35mm)
• Breathless
  (Jean-Luc Godard, 1960, France, 90 minutes, 35mm)
• Le Petit Soldat
  (Jean-Luc Godard, 1963, France, 88 minutes, 35mm)

CMIA - Modernist Cinemas of the 1960s

• Shame
  (Ingmar Bergman, 1968, Sweden, 103 minutes, 35mm)
• The Round-Up
  (Miklós Jancsó, 1966, Hungary, 90 minutes, 35mm)

CMIA - The 50 Year Argument (Special Visiting Filmmaker Event)

CMIA - Cinematic Romanticisms

• La Belle Noiseuse
  (Jacques Rivette, 1991, France/Switzerland, 238 minutes, 35mm)
  

CMIA - Cinematic Romanticisms

• The Age of Innocence
  (Martin Scorsese, 1993, USA, 139 minutes, 35mm)
  *Studio vault print
• JLG/JLG
  (Jean-Luc Godard, 1994, France, 60 minutes, 35mm)
• Histoire(s) du cinéma 4B: Les Signes parmi nous
  (Jean-Luc Godard, 1998, France, 38 minutes, DVD)

CMIA - Neorealism and the "Cinema of Poetry" (Public Discussion)

CMIA - Neorealism and the "Cinema of Poetry"

• Red Desert
  (Michelangelo Antonioni, 1964, Italy/France, 116 minutes, 35mm)
• The Conformist
  (Bernardo Bertolucci, 1970, Italy/France/West Germany, 111 minutes, 35mm)

CMIA - Cinematic Romanticisms

• Nouvelle Vague
  (Jean-Luc Godard, 1990, Switzerland/France, 90 minutes, 35mm)
• Hail Mary
  (Jean-Luc Godard, 1985, Switzerland/France/UK, 107 minutes, 35mm)
  *New print

CMIA - Cinematic Romanticisms

• Faust
  (F.W. Murnau, 1926, Germany, 85 minutes, 35mm)

CMIA - Special Georgian Silent Film Event with Live Choral Accompaniment

• Eliso
  (Nikoloz Shengelaia, 1928, USSR, 90 minutes, 35mm)
  *Archival print courtesy the Berkeley Academy of Art and Pacific Film Archive

CMIA - Cinematic Romanticisms

• Khrustaylov, My Car!
  (Aleksei Guerman, 1998, Russia/France, 137 minutes, 35mm)
• Ro.Go.Pa.G.
  (Roberto Rossellini, Jean-Luc Godard, Pier Paolo Pasolini, and Ugo Gregoretti, France/Italy, 1963, 122 minutes, 16mm)

CMIA - The Poetics of Montage

• Ivan the Terrible, Part 1
  (Sergei Eisenstein, 1944, USSR, 95 minutes, 35mm)
• Ivan the Terrible, Part 2
  (Sergei Eisenstein, 1946/1958, USSR, 88 minutes, 35mm)

CMIA - The Poetics of Montage: a Conversation with Bernard Eisenschitz

CMIA - Cinematic Romanticisms

• Jean-Luc Godard Program

CMIA - Cinematic Romanticisms

• Don't Look Now
  (Nicolas Roeg, 1973, UK/Italy, 110 minutes, 35mm)
• Possession
  (Andrzej Zulawski, 1981, France/West Germany, 124 minutes, 35mm)
  *New print

CMIA - Cinematic Romanticisms

• El Cid
  (Anthony Mann, 1961, Italy/USA, 182 minutes, 35mm)

CMIA - Cinematic Romanticisms

• Pierrot le fou
  (Jean-Luc Godard, 1965, France/Italy, 110 minutes, 35mm)
• Two or Three Things I Know About Her
  (Jean-Luc Godard, 1967, France, 87 minutes, 35mm)

CMIA - Alec Guinness and Postwar British Cinema

• Last Holiday
  (Henry Cass, 1950, UK, 88 minutes, 35mm)
• The Captain’s Paradise
  (Anthony Kimmins, 1953, UK, 94 minutes, 35mm)

CMIA - Cinematic Romanticisms

• Contempt
  (Jean-Luc Godard, 1963, France/Italy, 102 minutes, 35mm)
• Band of Outsiders
  (Jean-Luc Godard, 1964, France, 94 minutes, 35mm)

CMIA - Film Noir Screening

• Notorious
  (Alfred Hitchcock, 1946, USA, 101 minutes, 35mm)
• The Lady from Shanghai
  (Orson Welles, 1947, USA, 87 minutes, 35mm)

CMIA - Cinematic Romanticisms

• Queen Kelly
  (Erich von Stroheim, 1929, USA, 107 minutes, 35mm)
• Excalibur
  (John Boorman, 1981, UK, 140 minutes, 35mm)

CMIA - Cinematic Romanticisms

• Nostalghia
  (Andrei Tarkovsky, 1983, Italy, 125 minutes, 35mm)
  *New print
• Mirror
  (Andrei Tarkovsky, 1975, USSR, 108 minutes, 35mm)

CMIA - Films of Akira Kurosawa

• Seven Samurai
  (Akira Kurosawa, 1954, Japan, 207 minutes, 35mm)

CMIA - Cinematic Romanticisms

• Vertigo
  (Alfred Hitchcock, 1958, USA, 128 minutes, 35mm)

• The Birds
  (Alfred Hitchcock, 1963, USA, 119 minutes, 35mm)