Past Programs

CMIA Kids - Christmas Special

• The Three Little Pigs
  (Walt Disney, 1933, 8 minutes)
• The Snowman
  (Dianne Jackson and Raymond Briggs, 1982, 27 minutes)

CMIA - Wartime Cinema

• The Palm Beach Story
  (Preston Sturges, 1942, 82 minutes, 35mm)
• Objective, Burma
  (Raoul Walsh, 1945, 132 minutes, 35mm)

CMIA - Film Among the Arts

• Fanny and Alexander
  (Ingmar Bergman, 1982, Sweden/France/West Germany, 182 minutes)

CMIA - Europe's Darkest Hour

• Listen to Britain
  (Humphrey Jennings and Stewart McAllister, 1942, UK, 20 minutes, Blu-ray)
• Citizen Kane
  (Orson Welles, 1941, USA, 119 minutes, 35mm)
• Day of Wrath
  (Carl Theodor Dreyer, 1943, Denmark, 97 minutes, 35mm)

CMIA - Film Among the Arts

• Gertrud
  (Carl Theodor Dreyer, 1964, Denmark, 119 minutes, 35mm)
• The Mirror
  (Andrei Tarkovsky, 1975, USSR, 107 minutes, 35mm)

CMIA - Classic French Cinema
 

• Rules of the Game
  (Jean Renoir, 1938, France, 112 minutes, 35mm)
• Henry V
  (Laurence Olivier, 1944, UK, 136 minutes, 35mm)

CMIA - Film Among the Arts

• A Study in Choreography for the Camera
  (Maya Deren, 1945, USA, 4 minutes, 16mm)
• The Red Shoes
  (Michael Powell and Emeric Pressburger, 1948, UK, 132 minutes, 35mm)
• Beau Travail
  (Claire Denis, 1999, France, 96 minutes, 35mm)

CMIA - There Will be Blood

• There Will be Blood
  (Paul Thomas Anderson, 2007, USA, 146 minutes, 35mm)

CMIA - Leo the Last

• Leo the Last
  (John Boorman, 1970, UK, 105 minutes, 35mm)

CMIA - Technicolor

• Meet Me in St. Louis
  (Vincente Minnelli, 1944, USA, 114 minutes, 35mm)
• Henry V
  (Laurence Olivier, 1944, UK, 136 minutes, 35mm)

CMIA - Film Among the Arts

• Parsifal
  (Hans-Jürgen Syberberg, 1982, West Germany/France, 255 minutes, 35mm)

CMIA - Japanese Cinema

• Where Now are the Dreams of Youth?
  (Yasujiro Ozu, 1932, Japan, 92 minutes, 35mm)
• Sisters of the Gion
  (Kenji Mizoguchi, 1936, Japan, 95 minutes, 35mm)

CMIA - Bard Filmmakers Event

• Details TBA.

CMIA - Classical Hollywood

• It Happened One Night
  (Frank Capra, 1934, USA, 105 minutes, 35mm)
• Queen Christina
  (Rouben Mamoulian, 1933, USA, 95 minutes, 35mm)

CMIA - Films of Stanley Kubrick

• Michelangelo Eye to Eye
  (Michelangelo Antonioni, 2004, Italy, 12 minutes)
• Passion
  (Jean-Luc Godard, 1982, France, 84 minutes, 35mm)
• AI Artificial Intelligence
  (Steven Spielberg, 2001, 146 minutes, 35mm)

CMIA - Early Sound Features

• Minnie the Moocher
  (Dave Fleischer, 1932, USA, 8 minutes, 35mm)
• Monte Carlo
  (Ernst Lubitsch, 1930, USA, 90 minutes, 35mm)
• The Criminal Code
  (Howard Hawks, 1931, USA, 97 minutes, 35mm)
• A House Divided
  (William Wyler, 1931, USA, 76 minutes, 35mm)

CMIA - Workshop with Cinematographer Caroline Champetier

• Discussion begins at 7:00 PM. All are welcome.

CMIA - Films of Louis Malle

• The Fire Within
  (Louis Malle, 1963, France, 105 minutes, 35mm)
• Lacombe Lucien
  (Louis Malle, 1974, France, 138 minutes, 35mm)

CMIA - Remembering the October Revolution

• Battleship Potemkin
  (Sergei Eisenstein, 1925, USSR, 75 minutes. 35mm)
• Earth
  (Aleksandr Dovzhenko, 1930, USSR, 90 minutes, 35mm)

CMIA - Remembering the October Revolution

• Revolution: New Art for a New World
  (Margy Kinmonth, 2016, UK/Russia, 85 minutes, DVD)

CMIA - Remembering the October Revolution

• Ivan the Terrible, Part 1
  (Sergei Eisenstein, 1944, USSR, 95 minutes, 35mm)
• Ivan the Terrible, Part 2
  (Sergei Eisenstein, 1946/1958, USSR, 88 minutes, 35mm)

CMIA - Westerns

• Young Mr. Lincoln
  (John Ford, 1961, USA, 109 minutes, 35mm)
• Ride Lonesome
  (Budd Boetticher, 1959, USA, 78 minutes, 35mm)

CMIA - Film Among the Arts

• The Piano
  (Jane Campion, 1993, New Zealand/Australia, 121 minutes, 35mm)
• The Silence Before Bach
  (Pere Portabella, 2007, Spain, 102 minutes, 35mm)

CMIA - German Expressionism

• Sunrise
  (F.W. Murnau, 1927, USA, 95 minutes, 35mm)
• Destiny
  (Fritz Lang, 1921, Germany, 105 minutes)

CMIA - Films of Stanley Kubrick

• The Shining
  (Stanley Kubrick, 1980, USA, 140 minutes, 35mm)

CMIA - United Artists

• The Circus
  (Charles Chaplin, 1925, USA, 75 minutes, 35mm)
• Greed
  (Erich von Stroheim, 1924, USA, 140 minutes, 35mm)

CMIA - Film Among the Arts

• Edvard Munch
  (Peter Watkins, 1976, Norway, 201 minutes)

CMIA - Silent Era Auteurs

• Les Vampires, Episode 3:  The Red Codebook
  (Louis Feuillade, 1915, France, 42 minutes)
• The Dying Swan
  (Yevgeni Bauer, 1917, Russia, 49 minutes)
• The Dumb Girl of Portici
  (Lois Weber and Philips Smallery, 1915, USA, 112 minutes)
• Nanook of the North
  (Robert Flahery, 1922, USA, 79 minutes)

CMIA - Films of Stanley Kubrick

• Barry Lyndon
  (Stanley Kubrick, 1975, UK, 179 minutes, 35mm)

CMIA - Cinematic Epics

• A Corner in Wheat
  (D.W. Griffith, 1909, USA, 14 minutes)
• Intolerance
  (D.W. Griffith, 1916, USA, 196 minutes)

CMIA - Film Among the Arts

• The Kid
  (Charles Chaplin, 1921, USA, 68 minutes, 35mm)
• Solaris
  (Andrei Tarkovsky, 1972, USSR, 167 minutes, 35mm)

CMIA - The Prestige

• The Prestige
  (Christopher Nolan, 2006, UK/USA, 130 minutes, 35mm)

CMIA - Film Among the Arts

• Vertigo
  (Alfred Hitchcock, 1958, USA, 128 minutes, 35mm)

CMIA - Twenty-First Century Cinema

• Beau Travail
  (Claire Denis, 1999, France, 98 minutes, 35mm)
• Notre Musique
  (Jean-Luc Godard, 2004, France/Switzerland, 80 minutes, 35mm)
• Le Quattro Volte
  (Michelangelo Frammartino, 2010, Italy, 88 minutes)

CMIA - Films of Ingmar Bergman

• Fanny and Alexander
  (Ingmar Bergman, 1982, Sweden/France/West Germany, 312 minutes)

CMIA - Returns to Realism

• The Horse Thief
  (Tian Zhuangzhuang, 1986, China, 88 minutes, 35mm)
• Close-Up
  (Abbas Kiarostami, 1990, Iran, 98 minutes, 35mm)

CMIA - Films of Ingmar Bergman

• The Deep Blue Sea
  (Terence Davies, 2011, UK, 96 minutes, 35mm)
• Breaking the Waves
  (Lars von Trier, 1996, Denmark, 159 minutes, 35mm)

CMIA - Sculpting in Time

• The Ascent
  (Larisa Shepitko, 1977, USSR, 111 minutes, 35mm)
• The Mirror
  (Andrei Tarkovsky, 1975, USSR, 107 minutes, 35mm)

CMIA - Sculpting in Time

• Ivan’s Childhood
  (Andrei Tarkovsy, 1962, USSR, 97 minutes, 35mm)
• The Sacrifice
  (Andrei Tarkovsky, 1986, Sweden, 142 minutes, 35mm)

CMIA - Films of Ingmar Bergman

• Hour of the Wolf
  (Ingmar Bergman, 1968, Sweden, 99 minutes, 35mm)
• Passion of Anna
  (Ingmar Bergman, 1969, Sweden, 101 minutes, 35mm)

CMIA - Cinemas of Eastern Europe

• The Round-Up
  (Miklós Jancsó, 1966, Hungary, 90 minutes, 35mm)
• Year of the Quiet Sun
  (Krzysztof Zanussi, 1984, Poland/USA/West Germany, 106
  minutes, 35mm)

CMIA - Frankenstein (FYSEM Symposium Event)

• Special screening of both versions of the National Theatre production of Frankenstein (directed by Danny Boyle) at 6:30 and 9:00 PM

CMIA - Films of Ingmar Bergman

• Shame
  (Ingmar Bergman, 1968, Sweden, 108 minutes, 35mm)

CMIA - Films of Ingmar Bergman

• Shame
  (Ingmar Bergman, 1968, Sweden, 108 minutes, 35mm)

CMIA - Modernist Cinemas of the 1960s

• Black Girl
  (Ousmane Sembène, 1965, Senegal/France, 65 minutes, 35mm)
• The Chronicle of Anna Magdalena Bach
  (Jean-Marie Straub and Danièle Huillet, 1968,West Germany, 94 minutes, 35mm)

CMIA - Public Discussion with Isabelle Huppert

• The public discussion with Isabelle Huppert begins at 3:00 PM.

CMIA - Films of Isabelle Huppert

• The Piano Teacher
  (Michael Haneke, 2001, France/Austria/Germany, 131 minutes, 35mm)
• La Cérémonie
  (Claude Chabrol, 1995, France, 112 minutes)

CMIA - New American Cinema

• Shadows
  (John Cassavetes, 1959, USA, 81 minutes, 35mm)
• Mean Streets
  (Martin Scorsese, 1973, USA, 112 minutes, 35mm)

CMIA - Films of Ingmar Bergman

• Lilith
  (Robert Rossen, 1964, USA, 114 minutes, 35mm)
• Faces
  (John Cassavetes, 1968, USA, 130 minutes, 16mm)

CMIA - French New Wave

• Godard/Truffaut Program
   

CMIA - Films of Ingmar Bergman

• Scenes from a Marriage
  (Ingmar Bergman, 1973, Sweden, 283 minutes)

CMIA - Films of Ingmar Bergman

• The Magic Flute
  (Ingmar Bergman, 1975, Sweden, 135 minutes, 35mm)
• Amadeus
  (Miloš Forman, 1984, USA, 160 minutes, 35mm)

CMIA - Beyond Neorealism

• Red Desert
  (Michelangelo Antonioni, 1964, Italy/France, 116 minutes, 35mm)
• Oedipus Rex
  (Pier Paolo Pasolini, 1967, Italy, 104 minutes, 35mm)

CMIA - Films of Ingmar Bergman

• Autumn Sonata
  (Ingmar Bergman, 1978, Sweden, 99 minutes, 35mm)
• Cries and Whispers
  (Ingmar Bergman, 1972, Sweden, 106 minutes, 35mm)

CMIA - Technicolor Epics

• Bonnie and Clyde
  (Arthur Penn, 1967, USA, 112 minutes, 35mm)
• West Side Story
  (Robert Wise, 1961, USA, 152 minutes, 35mm)

CMIA - Films of Ingmar Bergman

• The Deep Blue Sea
  (Terence Davies, 2011, UK, 96 minutes, 35mm)
• Gertrud
  (Carl Theodor Dreyer, 1964, Denmark, 114 minutes, 35mm)

CMIA - Japanese Cinema

• Seven Samurai
  (Akira Kurosawa, 1954, Japan, 207 minutes, 35mm)

CMIA - Technicolor Epics

• Hell in the Pacific
  (John Boorman, 1968, USA, 103 minutes, 35mm)
• The Fall of the Roman Empire
  (Anthony Mann, 1964, USA, 172 minutes, 35mm)

CMIA - Films of Ingmar Bergman

• A Lesson in Love
  (Ingmar Bergman, 1954, Sweden, 96 minutes, 35mm)
• Smiles of a Summer Night
  (Ingmar Bergman, 1955, Sweden, 108 minutes, 35mm)

CMIA - Technicolor Epics

• Lawrence of Arabia
  (David Lean, 1962, UK, 197 minutes, 35mm)

CMIA - Technicolor Epics

• The Cardinal
  (Otto Preminger, 1963, USA, 172 minutes, 35mm)

CMIA - Films of Ingmar Bergman

• Music in Darkness
  (Ingmar Bergman, 1948, Sweden, 86 minutes, 16mm)

CMIA - Technicolor Epics

• El Cid
  (Anthony Mann, 1961, Italy/United States, 180 minutes, 35mm)

CMIA - Films of Ingmar Bergman

• Ordet
  (Carl Theodor Dreyer, 1955, Denmark, 126 minutes, 16mm)
• The Magician
  (Ingmar Bergman, 1958, Sweden, 107 minutes)

CMIA - Japanese Cinema

• Seven Samurai
  (Akira Kurosawa, 1954, Japan, 207 minutes, 35mm)

CMIA - Silent Cinema Program

• Duck Amuck
  (Chuck Jones, 1953, USA, 8 minutes, 35mm)
• Los Olvidados
  (Luis Buñuel, 1950, Mexico, 88 minutes, 35mm)
• Programs of 35mm silent films from the Jean Desmet Collection
  • Cinema Fashionista
    • Laatse bioscoop wereldberichten [Newsreel]
      (1914, Netherlands, 5 minutes)
    • Fior di male
      (Carmine Gallone, 1915, Italy, 65 minutes)
    • La Moda vuole l’ala larga
      (Ambrosio, 1912, Italy, 5 minutes)
    • Concorso di bellezza fra bambini a Torino
      (Aquila Films, 1909, Italy, 3 minutes)
    • Patouillard a une femme qui veut suivre la mode
      (Romeo Bosetti, 1912, France, 6 minutes)

CMIA - Silent Cinema Program

• Vampyr
  (Carl Theodor Dreyer, 1932, Germany, 73 minutes, 35mm)
• Programs of 35mm silent films from the Jean Desmet Collection
  • The Colourful World of Cinema
    • Ved Faenglets Port
      (August Blom, 1911, Denmark, 38 minutes)
    • L’Orgie romaine
      (Louis Feuillade, 1911, France, 9 minutes)
    • Tra le pinete di Rodi
      (Savoia, 1912, Italy, 4 minutes)
    • Lily ménagère
      (Eclair Coloris, 1914, France, 7 minutes)
    • Le Royaume des fleurs
      (Gaumont, c. 1914, France, 7 minutes)
    • La Légende des ondines
      (Georges Denola, 1911, France, 6 minutes)
    • L’Obsession d’or
      (Lucien Nonguet and Pathé Frères, 1906, France, 3 minutes)
  • Perils of the Pictures
    • Le Mystère des Roches de Kador
      (Léonce Perret, 1912, France, 38 minutes)
    • The Picture Idol
      (James Young, 1912, USA, 14 minutes)
    • Amour et science
      (M.J. Hoche, 1912, France, 15 minutes)
    • Arthème opérateur
      (Ernest Servaes, 1913, France, 7 minutes)
    • Una Tragedia al cinematografo
      (Enrico Guazzoni, 1913, Italy, 8 minutes)
    • German and Italian shorts

CMIA - Films of Ingmar Bergman

• Through a Glass Darkly
  (Ingmar Bergman, 1961, Sweden, 91 minutes, 35mm)
• The Silence
  (Ingmar Bergman, 1963, Sweden, 105 minutes, 35mm)

Cries and Whispers and Vanina Vanini

Autumn Sonata

Smiles of a Summer’s Night and Camouflage

Camera Buff and White

Chopin’s Youth and Lolita

A Song to Remember, and And the Ship Sails On

Calling Mr. Smith​, Kanał, and Ashes and Diamonds

Color Studies of Chopin and The Pianist