Past Programs

CMIA - Films by Raoul Walsh

• The Strawberry Blonde
  (Raoul Walsh, 1941, USA, 100 minutes, 35mm)*
  *Preserved by the Library of Congress
• They Died with Their Boots On
  (Raoul Walsh, 1941, USA, 140 minutes, 35mm)

CMIA – Masterworks of Japanese Cinema

• Kikujiro
  (Takeshi Kitano, 1999, Japan, 121 minutes, 35mm)*
  *Imported archival print courtesy of the Japan Foundation
• Eijanaika
  (Shohei Imamura, 1981, Japan, 151 minutes, 35mm)*
  *Imported archival print courtesy of the Japan Foundation

CMIA - Europe's Darkest Hour

• Listen to Britain
  (Humphrey Jennings and Stewart McAllister, 1942, UK, 20 minutes)
• One of Our Aircraft is Missing
  (Michael Powell,1942, UK, 102 minutes, 35mm)*
  *Preserved by the Library of Congress
• Day of Wrath
  (Carl Theodor Dreyer, 1943, Denmark, 97 minutes, 35mm)

CMIA – Masterworks of Japanese Cinema

• Humanity and Paper Balloons
  (Sadao Yamanaka, 1937, Japan, 86 minutes, 35mm)*
• Love Letter
  (Kinuyo Tanaka, 1953, Japan, 98 minutes, 16mm)*
  *Imported archival prints courtesy of the Japan Foundation
   

CMIA – Masterworks of Japanese Cinema

• The Story of the Last Chrysanthemums
  (Kenji Mizoguchi, 1939, Japan, 143 minutes)

CMIA – Lines of Transmission: Cinema and Art History

• Public lecture

CMIA - John Ford Preservation Prints

• Steamboat ‘Round the Bend
  (John Ford, 1935, USA, 82 minutes, 35mm)*
  *Studio vault print
• Rio Grande
  (John Ford, 1950, USA, 1950, USA, 105 minutes, 35mm)*
  *Restored by UCLA Film & Television Archive in association with The Film Foundation

CMIA - John Ford Preservation Prints

• The Long Voyage Home
  (John Ford, 1940, USA, 105 minutes, 35mm)*
  * Restored by UCLA Film & Television Archive in association with the Library of Congress, with funding provided by The Hollywood Foreign Press Association and The Film Foundation

CMIA - The Magnificent Ambersons

• The Magnificent Ambersons
  (Orson Welles, 1942, USA, 81 minutes, 35mm)

CMIA – Masterworks of Japanese Cinema

• Kanto Wanderer
  (Seijun Suzuki, 1963, Japan, 93 minutes, 35mm)*
  *Imported archival print courtesy of the Japan Foundation
• Double Suicide
  (Masahiro Shinoda, 1969, Japan, 142 minutes, 35mm)

CMIA – Masterworks of Japanese Cinema

• Mother
  (Mikio Naruse, 1952, Japan, 98 minutes, 35mm)*
  *Imported archival print courtesy of the Japan Foundation
• Ginza Cosmetics
  (Mikio Naruse, 1952, Japan, 87 minutes, 16mm)*
  *Imported archival print courtesy of the Japan Foundation

CMIA - Cinematic Shakespeare

• Othello
  (Orson Welles, 1951, Italy/USA/Morocco, 90 minutes, 35mm)*
  *Archival print courtesy of the Library of Congress

CMIA - Cinematic Shakespeare

• Henry V
  (Laurence Olivier, 1944, UK, 137 minutes, 35mm)

CMIA - Technicolor

• Chad Hanna
  (Henry King, 1940, USA, 88 minutes, 35mm)*
  *Studio vault print

CMIA – Masterworks of Japanese Cinema

• Her Brother
  (Kon Ichikawa, 1960, Japan, 98 minutes, 35mm)*
• Flowing
  (Mikio Naruse, 1956, Japan, 117 minutes, 35mm)*
  *Imported archival prints courtesy of the Japan Foundation
   

CMIA - Annus Mirabilis

• Ninotchka
  (Ernst Lubitsch, 1939, USA, 110 minutes, 35mm)
• Only Angels Have Wings
  (Howard Hawks, 1939, USA, 121 minutes, 35mm)

CMIA – Cinema of Hong Kong

• The Killer
  (John Woo, 1989, Hong Kong, 111 minutes, 35mm)
• Days of Being Wild
  (Wong Kar-wai, 1995, Hong Kong, 96 minutes, 35mm)

CMIA - The Arrival of Sound

• 42nd Street
  (Lloyd Bacon, 1932, USA, 89 minutes, 35mm)
• The Scarlett Empress
  (Josef von Sternberg, 1934, USA, 110 minutes, 35mm)*
  *Studio vault print

CMIA – Taiwanese New Wave

• Dust in the Wind
  (Hou Hsiao-hsien, 1986, Taiwan, 110 minutes, 35mm)
• Taipei Story
  (Edward Yang, 1985, Taiwan, 110 minutes, 16mm)

CMIA - French Comic Masterpieces

• The Story of a Cheat
  (Sacha Guitry, 1936, France, 81 minutes, 35mm)
• The Elusive Corporal
  (Jean Renoir, 1962, France, 105 minutes, 35mm)*
  *Imported archival print courtesy Institut français
   

CMIA - Italian silent film with new score by John La Barbera

• Assunta Spina
  (Gustavo Serena, 1916, Italy, 66 minutes)*

CMIA – The Fifth Generation

• Yellow Earth
  (Chen Kaige, 1985, 90 minutes, China, 35mm)
• Raise the Red Lantern
  (Zhang Yimou, 1994, 125 minutes, China/Hong Kong/Taiwan, 35mm)

CMIA - Montage

• Battleship Potemkin
  (Sergei Eisenstein, 1925, USSR, 75 minutes)
• The Passion of Joan of Arc
  (Carl Theodor Dreyer, 1928, France, 81 minutes)
   

CMIA – The Indian New Wave

• Mirror of Illusion
  (Kumar Shahani, 1972, India, 107 minutes)
• Dhrupad
  (Mani Kaul, 1983, India, 72 minutes)

CMIA - Austrian silent film with new score by Donald Sosin and Alicia Svigals

• The City Without Jews
  (Hans Karl Breslauer, 1924, Austria, 91 minutes)*
  
  *This new restoration from Filmarchiv Austria will be presented with the live performance of an original score by Donald Sosin and klezmer violinist Alicia Svigals. There will be a discussion about silent film music following the screening.

CMIA – Masterworks of Japanese Cinema

• Throne of Blood
  (Akira Kurosawa, 1957, Japan, 110 minutes, 35mm)
• The Lower Depths
  (Akira Kurosawa, 1957 Japan, 139 minutes, 35mm)
   

CMIA - Hollywood Masterworks with Piano Accompaniment by Ben Model

• The Cameraman
  (Edward Sedgwick and Buster Keaton, 1928, USA, 78 minutes, 35mm)
• The Crowd
  (King Vidor, 1928, USA, 104 minutes, 35mm)*

CMIA – Between East and West

• The Toll of the Sea
  (Chester M. Franklin, 1923, USA, 53 minutes, 16mm)*
  *UCLA Flim and Television Archive Restoration
• The Last Emperor
  (Bernardo Bertolucci, 1987, China/Italy/UK/France, 163 minutes, 35mm)

CMIA - Intolerance

• Intolerance
  (D.W. Griffith, 1916, USA, 196 minutes)

CMIA – Masterworks of Japanese Cinema

• Late Spring
  (Yasujiro Ozu, 1949, Japan, 110 minutes, 35mm)
• Sansho the Bailiff
  (Kenji Mizoguchi, 1954, Japan, 126 minutes, 35mm)

CMIA - Vertigo

• Vertigo
  (Alfred Hitchcock, 1958, USA, 129 minutes, 35mm)

CMIA - Early Cinema Program

• Arrival of a Train
  (Auguste and Louis Lumière, 1895, France, 1 minute)
• Avenue de l’Opéra
  (Alice Guy, 1900, France, 1 minute)
• Grandma’s Reading Glass
  (G.A. Smith, 1900, UK, 2 minutes)
• The Countryman and the Cinematograph
  (R.W. Paul, 1901, UK, 1 minute)
• Coney Island at Night
  (Edwin S. Porter, 1905, USA, 5 minutes)
• Films of the San Francisco Earthquake
  (Robert K. Bonine, 1906, USA, 2 minutes)
• The Life of an American Fireman
  (Edwin S. Porter, 1903, USA, 6 minutes)
• The Great Train Robbery
  (Edwin S. Porter, 1903, USA, 11 minutes)
• A Trip to the Moon
  (Georges Méliès, 1902, France, 14 minutes)
• The Red Spectre
  (Segundo de Chomón, 1907, Spain/France, 8 minutes)

CMIA – Masterworks of Japanese Cinema

• Woman of Tokyo
  (Yasujiro Ozu, 1933, Japan, 47 minutes, 35mm)
• Dragnet Girl
  (Yasujiro Ozu, 1933, Japan, 100 minutes, 35mm)

2001: A Space Odyssey

The Sea Wolf & Kings Row

Treasures of the Sierra Madre

The Man Who Knew Too Much

Letter from an Unknown Woman

The Ancient Law

Captain Blood & The Sea Hawk

A Midsummer Night's Dream